When it Comes to Best Actor, How are We to Judge?

The script, and the degree of transformation required by the role, are two critical criteria. Take George Clooney and Jean Dujardin for example

The Oscars are upon us again. I’m looking forward to the debates, disagreements, surprises and disappointments that inevitably accompany the Academy Awards.

The fact that we often disagree on the artistic qualities of the nominated films and performances is what makes Award Season so damn exciting.

Today, I want to delve into one particular category: Best Actor (in a lead or supporting role). And I want to ask one simple, but compelling question: How do we assess the quality of acting, the caliber of the performance as we seek to define "best"?

Clearly, such a determination is terribly subjective. There are no tools of finite measurement – no timers, no scoreboards, no bars that can be cleared that indisputably declare a winner.

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