‘The Unknown Girl’ Review: Guilt and Murder Meet Quiet Naturalism

The Dardenne brothers are looking to become the first to win three Palme d’Ors

The Unknown Girl

The most unusual murder mystery at Cannes played out on Wednesday morning in the Grand Theatre Lumiere, as Jean-Pierre and Luc Dardennes’ “The Unknown Girl” had its first screenings in competition.

The Dardenne brothers aren’t known for things like murders and mysteries — instead, their cinema has long been based on an understated naturalism, evoking working-class lives with little fanfare but intense empathy.

They’ve been to Cannes many times before, and won the Palme d’Or for “Rosetta” in 1999 and “L’Enfant” in 2005; “The Unknown Girl” has the potential to make them the first three-time Palme winners.

Based on Wednesday’s screenings, they’re probably longshots to achieve that trifecta.

Want to keep reading?

Create a free account, or log in with your email below.

 

Gain access to unlimited free articles, news alerts, select newsletters, podcasts and more.

 

Comments