Tribeca
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‘Leave No Trace’ Film Review: Searing Doc on Boy Scouts Abuse Cuts Some Journalistic Corners
Tribeca Film Festival 2022: The material here is unquestionably powerful, but director Irene Taylor takes some questionable shortcuts in telling the story
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‘American Dreamer’ Film Review: Peter Dinklage Real-Estate Comedy Requires Major Repairs
Tribeca Festival 2022: Not even the teaming of Dinklage, Shirley MacLaine and Matt Dillon can turn this condemned property into a showcase
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‘Allswell’ Film Review: Ensemble Cast Captures the Warm Embrace, and Prickly Challenges, of Family
Tribeca Festival 2022: Co-written by its lead actors and director, this ensemble piece understands its characters enough to love and forgive them
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‘Halftime’ Film Review: Jennifer Lopez Doc Tracks a Star Who Continues to Ascend
Tribeca Film Festival 2022: The tireless singer and actress preps for the Super Bowl, mounts an Oscar campaign and works a runway like nobody else
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‘Space Oddity’ Film Review: Kyra Sedgwick’s Family Drama About a Cosmos-Obsessed Son Never Lifts Off
Tribeca Festival 2022: First-time feature director has a light touch, but she constantly prioritizes the cuddly over the emotionally complex
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‘All Man’ Film Review: Remembering the Underwear Catalog That Shaped a Generation
Tribeca Film Festival 2022: If you were a gay man coming of age between the 1970s and early 1990s, International Male was a passport to another world
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‘Turn Every Page’ Film Review: Insightful Doc Captures Long Partnership of Robert Caro and Robert Gottlieb
Editor Robert Gottlieb, 91, and LBJ biographer Caro, 86, remain a literary dynamic duo after a 50-year-plus collaboration
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‘American Pain’ Film Review: Opioid Doc Falls Short of the Moral Outrage Its Subjects Deserve
Tribeca Festival 2022: Breezy look at pill-pushing twin brothers gives short shrift to the addicted (and deceased) victims of their “clinics”
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‘You Can Live Forever’ Film Review: Queer Love Blooms Amid Religious Repression
Tribeca Festival 2022: Directors Mark Slutsky and Sarah Watts shine a warm light into a Jehovah’s Witnesses community
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‘Angelheaded Hipster’ Film Review: Marc Bolan’s Legend Dominates Tribute-Album Documentary
Tribeca Film Festival 2022: This film on the making of a T. Rex tribute features the likes of Bono and Joan Jett, but you’re left wanting more Bolan
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‘God Save the Queens’ Film Review: Dismal Drag Comedy Bobbles the Laughs and the Drama
Tribeca Film Festival 2022: LGBTQ indie dips its toe into complicated topics about sex and gender before sashaying away
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‘Butterfly in the Sky’ Film Review: LeVar Burton Recalls the Golden Days of ‘Reading Rainbow’
Tribeca Film Festival 2022: This warm-hearted doc looks back at the triumphs and the battles that kept the beloved PBS show on the air for 23 years
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‘Rounding’ Film Review: ‘Saint Frances’ Director Returns With Intense, Unsettling Thriller
Tribeca Film Festival 2022: Alex Thompson’s sophomore feature sees the talented filmmaker grow even more confident as a storyteller
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‘Lynch/Oz’ Film Review: ‘Blue Velvet’ Meets the Yellow Brick Road in Fascinating Documentary
Tribeca Film Festival 2022: John Waters, Karyn Kusama and other experts connect “The Wizard of Oz” to the weird, wonderful oeuvre of David Lynch
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‘Brian Wilson: Long Promised Road’ Film Review: Frustrating, but the Music Is Transcendent
The music documentary doesn’t deliver any deep insights from the troubled mastermind behind the Beach Boys’ hits, but the songs retain their power
