TheWrap magazine
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‘Turning Red’ Director Domee Shi and Producer Lindsey Collins Explain That ‘Godzilla-esque’ Showdown
TheWrap magazine: The scene plays with the idea of a kid worried about getting in trouble. “It’s funny and scary at the same time,” Collins says
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Why the Pandemic Spurred Sam Mendes to Face His Mother’s Mental Illness in ‘Empire of Light’
TheWrap magazine: “It was something I felt had been sitting there waiting to be written about for a long time,” the director says
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How Claire Foy Drew On ‘Righteous’ Anger to Play a Survivor of Sexual Assault in ‘Women Talking’
TheWrap magazine: The actress said she found Sarah Polley’s “extraordinary” script about Mennonite women more true to the modern world than people might think
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BY SHARON WAXMAN | PHOTOGRAPHED BY CORINA MARIE -
‘Women Talking’ Star Claire Foy Finds Her Place in the Sun for TheWrap (Exclusive Photos)
TheWrap magazine: The actress basked in the glow of California light during a photo shoot with Corina Marie
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Photographed by Corina Marie for TheWrap -
How ‘The Bear’ Cinematographer Pulled Off That Impressive 18-Minute Take With No Cuts
TheWrap magazine: “I have always pushed directors to let a scene go as long as you can,” DP Andrew Wehde says
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Why ‘Living’ Star Bill Nighy Is a Cinematographer’s Dream: He ‘Commands Space’
TheWrap magazine: “He’s got a gravity to him that becomes very evident when you’re around him,” says DP Jamie D. Ramsay
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Cinematographer Roger Deakins Fears That Moviegoing Has ‘Changed Beyond Repair’
TheWrap magazine: “I don’t think producers and studio people are willing to take the risk on a film that expands the cinematic language,” says the legendary DP of “Empire of Light”
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Why ‘Top Gun: Maverick’ Cinematographer Claudio Miranda Got His Pilot License to Work on the Tom Cruise Blockbuster
TheWrap magazine: “When I first heard about the job, I said, ‘OK, let me get into the plane and let’s start figuring this out,’” the Oscar winner says
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How ‘A Friend of the Family’ Re-Created a Famous ’70s Idaho Kidnapping in Atlanta
TheWrap magazine: Production designer John D. Kretschmer talks about crafting the era-specific settings for Peacock’s “gut punch” miniseries
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How the ‘Black Panther: Wakanda Forever’ Cinematographer Made a World of Water
TheWrap magazine: Autumn Durald Arkapaw says director Ryan Coogler “wanted to make this deep-space kind of movie, underwater”
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How ‘Corsage’ Costume Designer Monika Buttinger Crafted a ‘Fashionable Interpretation’ of a Rebellious Empress
TheWrap Magazine: “Elisabeth was really an influencer at her time. She was an icon for decades,” the designer said
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‘Everything Everywhere All at Once’: How Costume Designer Shirley Kurata Outfitted the Multiverse
TheWrap Magazine: The designer drew from Michelle Yeoh’s filmography, Japanese fashion, sci-fi films and more to dress the breakout indie hit
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The Cinematography of ‘Avatar: The Way of Water’ — New Tech Meets Old Tricks
TheWrap magazine: “You could be on a set in the 1940s and see the same thing,” says cinematographer Russell Carpenter of some battle-tested techniques
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The Challenge of Creating the Look of ‘Avatar: The Way of Water’: ‘It’s Designing an Entire Universe’
TheWrap magazine: “The tactical and logistical details were unbelievably difficult to figure out,” says production designer Dylan Cole
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By Steve Pond -
Inside the Complexity of Editing ‘Avatar: The Way of Water’
TheWrap magazine: “Every sequence is at the highest level of difficulty,” says editor Stephen Rivkin