Robert Schenkkan
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How Theater Is Tackling Current Events, From Donald Trump to Hillary Clinton to RBG (Guest Blog)
“The thrill of a current-events play is that it can distill those events into something much more thoughtful and engrossing than mere news,” playwright Doug McGrath says
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Watch Alyssa Milano, Zachary Quinto and Other Stars Perform Play Based on Mueller Report (Video)
“The Investigation” dramatized the 10 counts of obstruction of justice detailed in Mueller’s report.
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‘Building the Wall’ Theater Review: A View of Post-Trump America Both Powerful and Preposterous
Just when you think the revelations in Robert Schenkkan’s new play can’t get any darker, they turn a deeper shade of black
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‘La La Land’ Named Top International Film by Australian Academy
“Lion” and “Manchester by the Sea” also receive two awards each, while “Hacksaw Ridge” wins one
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Emmy Contender Jay Roach on How His 1964 Civil Rights Drama ‘All the Way’ Is ‘About Now’
“Political experience wasn’t a dirty word back then,” the director tells TheWrap
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Review: Bryan Cranston Is Riveting as LBJ in HBO’s ‘All the Way’
Cranston and Anthony Mackie shine in a production that transfers Tony-winning play to television and brings Civil Rights era alive
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HBO Shares First Look at Bryan Cranston as Lyndon B. Johnson in ‘All the Way’ (Photo)
Biopic is an adaptation of Robert Schenkkan’s Tony Award-winning play
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Mel Gibson’s ‘Hacksaw Ridge’ Sells to YooZoo Pictures for Chinese Distribution
The director’s World War II drama is the Chinese company’s first major acquisition
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Bryan Cranston, Steven Spielberg Bringing LBJ Play to HBO
Robert Schenkkan’s Tony-winning “All the Way” marks Cranston’s return to TV
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‘All the Way’ Theater Review: Bryan Cranston Brings His Wildly Funny LBJ to Broadway
Since much of what Cranston says onstage is delivered directly to the audience, it sometimes appears as if he’s auditioning to be a stand-up comic
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Bryan Cranston to Play President LBJ in ‘All the Way’
The "Breaking Bad" star Bryan Cranston will tackle the tumultuous Johnson presidency in new Robert Schenkkan play