Office With a View
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Culture House Co-Founders Want to Be Hollywood’s ‘Diversity, Equity and Inclusion Checkpoint’
Office With a View: The production company co-founders tell TheWrap about their inclusive approach to supporting creatives’ visions
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Emmy-Nominated Comedy Producer John Irwin Reveals the Art to Taping a Live Performance
Office With a View: Irwin Entertainment has produced specials for Norm Macdonald, John Mulaney, Hannah Gadsby and countless more stand-up stars
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Byron Allen’s Message for Budding Moguls: ‘Don’t Just Play the Game, Own the Game’
Office With a View: The Allen Media Group CEO tells TheWrap that he’s trying to create a new business philosophy in the mold of the great industrialists
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BBC Studios Global Distribution CEO Explains Why ‘Super Serving Audiences’ Is the Bottom Line
Office With a View: Rebecca Glashow tells TheWrap that the 1,500 shows her company sells into the market every year is just “scratching the surface”
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Matt Galsor Talks Going From Roger Corman B-Movies to Being Tom Cruise’s ‘Maverick’ Attorney
Office With a View: The deal broker says “it was a total accident” starting with the low-budget shop before going on to rep Hollywood’s biggest names
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Legion M Founders: ‘It’s Amazing How Many Decisions’ Are Made by One or Two Executives
Office With a View: “We just feel like there’s got to be a better way,” the “fan-owned” studio’s Jeff Annison tells TheWrap
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Tommy Mottola, Lex Borrero Say Education Is Still a Large Part of Bringing Latin Culture Mainstream
Office With a View: The co-founders behind production studio NTERTAIN tell TheWrap they don’t take “no” for an answer
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‘The Black Phone’ Producer Jason Blum Laments Rising Film Budgets: ‘I Don’t Think It’s Good for Business’
Office With a View: “You can create better shows and movies when you keep costs down,” Blumhouse CEO tells TheWrap
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Storyblocks CEO T.J. Leonard’s Mission Is to Rid the World of Horrible Stock Videos
Office With a View: The marketing exec talks about moving away from traditional media assets to more authentic, personal content
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Lux Vide CEO Explains Why Being Acquired by Fremantle Was the Best Way Forward
Office With a View: Luca Bernabei tells TheWrap why a “federation of producers” will help them all survive coming economic hardships
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Fandom CEO to Streamers: Find Your Franchise and Extend the Experience Beyond the Screen
Office With a View: Meal delivery, anyone? Yes, the content is important but being creative with the brand is too, says Perkins Miller
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Why the FunMeter Duo Is Expanding From Docs About ‘Quirky Fraud Cases’ to Become ‘Full Service’ Producers
Office With a View: The team behind HBO’s “McMillions” and Apple TV+’s “The Big Conn” tell TheWrap they’re branching out
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Weigel Broadcasting Exec on the Return-to-Antennas Trend: ‘Younger People Think It’s an Illegal Hack’
Office With a View: The media company’s vice chairman, Neal Sabin, discusses how nostalgia TV grew during the pandemic
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Why the Creative Chief Behind ‘Queer Eye’ and ‘Legendary’ Rejects the ‘Niche’ Label
Office With a View: “We’re actually not as niche as you think we are,” Scout Productions’ Chief Creative Officer Rob Eric tells TheWrap
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Why Veteran Syfy Exec Mark Stern Pivoted From TV to Podcasts: ‘I Got Very Disenchanted’
Office With a View: After decades in television, the former original content president is building the first audio studio dedicated to fantasy and sci-fi dramas
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