Office With a View
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Hollywood’s DEI Backslide Does Not Reflect Audience Demand, USC’s Dr. Stacy L. Smith Says
“When execs get nervous, they tend to rely on what they know,” the head of the Annenberg Inclusion Initiative tells TheWrap
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Adapting International TV Series Works Best When Creating ‘Bespoke Experiences,’ BBC Studios’ Valerie Bruce Says
Office With a View: The Los Angeles Productions general manager unpacks adapting British comedies like “Ghosts” for American audiences
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Influencers in Unscripted TV Are ‘New Voices’ INE Entertainment Bosses Seek: ‘There Are Changes Afoot’
Office With a View: Mark Koops and Eric Day unpack how streaming has impacted the genre and what shifts they anticipate next
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Olivia Charmaine Bernardez’s Black Monarch Entertainment Is Embracing Art and Activism With Netflix Deal
Office With a View: The CEO of the production hub explains the struggles of animation and creating “timeless” children’s entertainment
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Jason and Travis Kelce’s ‘New Heights’ Producer Embraces Social Media to Turn Athletes Into Stars
Office With a View: Brian Verne and Mack Sovereign’s original programming at Wave Sports + Entertainment accumulated 12.6 million followers in 2023
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‘Barbie’ Soundtrack Reinvigorated Music in Movies and Reminds Studios ‘How Effective’ a Song Can Be, Thrive Exec Says
Office With a View: President of licensing and soundtracks Jason Bentley previously supervised soundtracks for “The Matrix,” “Tron: Legacy” and more
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Paramount Streaming Exec Domenic DiMeglio Explains How Paramount+ Capitalized on New Subs After Super Bowl
Office With a View: The CMO and head of data tells TheWrap how plans for the 2024 Super Bowl began an entire year before the big game
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Pinky Promise Films CEO Isn’t Interested in Producing a ‘Hollow Version of Somebody Else’s Ideal’
Office With a View: “What people are looking for changes like the wind,” the indie company’s president Kara Durrett tells TheWrap
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‘Smart’ Companies Know They Can’t Succeed Without DEI, NAACP’s Karen Boykin-Towns Says
Office With a View: The board of directors VP previews how the org’s Image Awards are being made into a cultural experience
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POV Entertainment President Layne Eskridge Explains How Freedom Fuels Innovative Storytelling
Office With a View: The executive walks through her move from Netflix to steering woman- and POC-led stories at POV
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SAG Awards EP Predicts First Netflix Live Stream Will ‘Really Change’ How Future Shows Are Produced
Office With a View: Silent House founder Baz Halpin also details working on “Taylor Swift: The Eras Tour” and Usher’s Super Bowl performance
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Brent Magid Says Hollywood ‘Can’t Just Create From a Spreadsheet’ – but Consumer Data Is Still ‘Crucial’
Office With a View: Focusing on what audiences have already done is “only part of the picture,” the research executive tells TheWrap
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‘May December’ Producer LB Entertainment Shepherds Indie Successes by Taking Chances
Office With a View: Founder Lee Broda tells TheWrap about balancing her creative and corporate sides
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Magilla Entertainment Reality Producers Look for Promising Talent With ‘Big Personality’ and ‘Unique Skill’
Office With a View: Laura Palumbo Johnson and Matt Ostrom detail how they lean into natural drama to avoid feeling fake
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MediaRadar CEO Says the Dot-Com Bubble Bettered Him as a Leader: ‘Went in With My Eyes Open’
Office With a View: Todd Krizelman reveals what he learned from the failings of theGlobe.com for his 17-year-strong media analysis venture
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