cannes film festival
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Cannes 2025 Critic’s Take: The Festival’s Best Films Found Beauty in a Broken World
Cannes 2025: From ‘Sentimental Value’ to ‘The Mastermind,’ the second half of the festival explored our shared desire to dream in a world of nightmares
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Arson Suspected as Cause of Cannes Film Festival Power Outage
Authorities restored power by mid-afternoon, well before the event’s closing ceremonies
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Cannes Film Festival Winners 2025: ‘It Was Just an Accident’ Wins Palme d’Or
Cannes 2025: Other awards go to “Sentimental Value,” “Sirat,” “Sound of Falling” and actors Wagner Moura and Nadia Melliti
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‘Yes’ Review: Ferocious, Confrontational Drama Takes Aim at Post-Oct. 7 Israel
Cannes 2025: Nadav Lapid’s film is a tortured film about a tortured artist, and it’s meant to torture its audience
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‘Splitsville’ Review: Unruly Screwball Comedy Offers Extreme Scenes From a Marriage
Cannes 2025: Michael Angelo Covino and Kyle Marvin wed their blustery comic tone with the star power of Dakota Johnson and Adria Arjona
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‘The Mysterious Gaze of the Flamingo’ Wins Top Award in Cannes Un Certain Regard
Cannes 2025: Other winners include “A Poet,” “Urchin,” “Once Upon a Time in Gaza” and “I Only Rest in the Storm”
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Neon Acquires Wagner Moura Cannes Thriller ‘The Secret Agent’
Kleber Mendonça Filho wrote the film set in 1970s Brazil about a tech expert on the run
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How ‘The Plague’ Director Charlie Polinger Used the Horror Genre to Capture the ‘Chaos and Anxiety’ of Male Adolescence | Video
Cannes 2025: Polinger’s feature directorial debut finally came together after Joel Edgerton signed on to play a supporting role
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How ‘Splitsville’ Filmmakers Navigated a Challenging Film Market to Get Their Comedy Made | Video
Cannes 2025: The filmmakers behind “The Climb” teamed with Neon after a concerted effort to write “something really makeable right now”
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Cannes’ Message So Far: The World’s Going to Hell, but We Love Movies!
Cannes 2025: The overall tone of this year’s offerings is dark, just as it would be if festival-goers left the theaters, went back to their rooms and switched on the TV news
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‘Peak Everything’ Review: Offbeat Canadian Rom-Com Finds Love in the Face of the Apocalypse
Cannes 2025: Director Anne Émond takes the anxieties that underlie any romantic comedy and blows them up to global proportions
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‘My Father’s Shadow’ Review: Cannes’ First Nigerian Movie Mixes Autobiography and Mystery
Cannes 2025: Akinola Davies Jr.’s drama is a rhapsody of sorts, but a rough one that ends in political turmoil and unanswered questions
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‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg
Cannes 2025: Cohesiveness or coherence are not high on the list of the attributes of Klebel Mendonça Filho’s film, but its messiness is part of its charm
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‘Die, My Love’ Star Jennifer Lawrence Says She Was Heartbroken By Postpartum Story: ‘It’s Extremely Isolating’
Cannes 2025: The actress said “extreme anxiety and extreme depression is isolating no matter where you are” at a Cannes press conference
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‘Orwell: 2+2=5’ Review: Angry Documentary Is as Much About Us (and Donald Trump) as About George Orwell
Cannes 2025: Raoul Peck’s film is an artful balancing act that dips in and out of Orwell’s life and work and swings from history to art to the most current of events
