Cannes
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Cannes: How Weinstein Won ‘Iron Lady’ Bidding War, and Its Oscar Strategy
TWC’s Oscar strategy: buy “Iron Lady” after an all-night bidding war with Universal, Searchlight, Summit and others
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Cannes Reviews: Of Gods and Women
“Polisse” is thrown off-balance by its director’s strong presence; “Habemus Papam” grapples with faith and doubt
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Cannes Diary: The Shimmering Circus
Our correspondent glories in French pastry, conversation about movies … and a Hollywood-style pecking order
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Historic Change as Women Directors Leave Mark at Cannes
Four women directors are screening films in the competition this year — a record, according to festival organizers – and many more are competing in other categories
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Cannes: Sony Classics Buys Israeli Drama ‘Footnote’
SPC's first purchase at Cannes is Joseph Cedar drama about father-son rivalry
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Cannes, Day 3: Weinstein Spends, But Are Bernard & Barker the Kings?
A couple of new movies divide critics, while a couple of companies — TWC and SPC — take center stage
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Weinstein Takes U.S. Rights to Meryl Streep’s ‘Iron Lady’
In its latest acquisition at the festival, The Weinstein Company takes domestic rights to the drama with Meryl Streep as Thatcher
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Cannes: Lars Von Trier to Throw ‘Obstructions’ at Martin Scorsese
Danish provocateur and American icon plan to collaborate of new version of von Trier’s 2003 doc “The Five Obstructions”
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Cannes: ‘We Need To Talk About Kevin’ Explores Blame, Guilt, Motherhood
Lynne Ramsay’s unsettling, unforgettable film is marked by a magnificent performance from Tilda Swinton
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Levinson: Lohan Probably Out of ‘Gotti’ Project, Producer Refutes (Updated)
Exclusive: Director Barry Levinson is rewriting “Gotti” and his new version seems unlikely to include a role for Lindsay Lohan, he told TheWrap in Cannes
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Cannes Diary: Navigating the Streets and Officials
A quest for a credential upgrade ends happily at this year’s festival
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Lady Gaga — No, She Doesn’t Have a Film — Steals the Spotlight in Cannes
At the other end of the Croisette, Gaga dances ‘Judas’ for screaming fans while Woody can only look gorgeous | VIDEO
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Cannes: Wachowskis, Tom Tykwer Talk ‘Cloud Atlas’ to Buyers
Halle Berry, Susan Sarandon to join Tom Hanks in epic sci-fi collaboration between trio of directors
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Cannes, Day 2: ‘Paris’ Is Pleasing, Egypt Is Troubling
“Midnight in Paris” gets a warm reaction, Egyptian filmmakers cause a fuss and “Puss in Boots” crashes the party
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Cannes: Henry Hopper, Son of Dennis, Charms in Van Sant’s ‘Restless’
How do you describe that ability to connect with a camera, to show vulnerability and confidence at the same time? Hopper has it