Cannes
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‘Broker’ Review: Hirokazu Kore-eda Continues to Explore What Makes a Family
The Japanese director who won the Palme d’Or for “Shoplifters” returns to that track with a fine but none-too-memorable drama
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‘Hunt’ Review: ‘Squid Game’ Actor Lee Jung-jae Brings a Dense Spy Thriller to Cannes
Lee’s directorial debut fictionalizes Korean history and throws in double agents, buried secrets and lots of broken arms
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‘EO’ Review: Cannes’ Oldest Director Gives Us a Silly, Entertaining Trifle About a Donkey
Jerzy Skolimowski seems mostly interested in making his camera swoop and soar and perform stupid pet tricks
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‘Aftersun’ Review: Charlotte Wells Debuts With an Achingly Stirring Coming-of-Age Tale
The first-time filmmaker poignantly captures the passage of time as it affects both parents and children
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‘Onoda’ Review: French Director Makes Japanese Biopic With American Influences
Arthur Harari’s near three-hour drama borrows from John Ford to tell the story of a WWII Japanese soldier who didn’t give up for 29 years
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‘Triangle of Sadness’ Review: Gross-Out Comedy Is Overlong and Understuffed
“The Square” filmmaker Ruben Östlund returns with a social commentary that relishes in toilet humor
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‘Casablanca Beats’ Film Review: World Cinema Hip-Hop Musical Is a Blitz of Movement and Music
Nabil Ayouch’s film argues that the power of personal expression can turn the world on its head
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‘Moonage Daydream’ Film Review: Immersive David Bowie Documentary Is a Bold, Seething Mass of Bowie-ness
Brett Morgen’s doc delves into the Bowie archives to embrace the artist’s concept of an art that works with “fragments and chaos”
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‘The Story of Film’ Review: Documentary Is a Cinematic Celebration, Not a History Lesson
Mark Cousins’ doc about movies in the 21st century spends more than two-and-a-half hours drawing odd and compelling connections
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‘Three Thousand Years of Longing’ Film Review: George Miller’s Fantasia Explodes All Your Blockbuster Expectations
Tilda Swinton and Idris Elba star in a visually imaginative exploration of storytelling
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Cannes Winner ‘The Worst Ones’ Picked Up by Kino Lorber
The French drama will hit U.S. and Canadian theaters in early 2023 after playing at next month’s Toronto International Film Festival
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Cannes Film ‘The Eight Mountains’ Lands North American Deal with Sideshow and Janus
The drama from directors Felix van Groeningen and Charlotte Vandermeersch won the Grand Jury Prize at this year’s festival
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‘Elvis’ Film Review: Baz Luhrmann Gleefully Distorts Legend’s Life in Extravagant Biopic
The Australian director’s film is part spirited homage to a titanic force in American music
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Cannes Jury Prize Winner ‘EO’ Acquired by Sideshow and Janus Films
The film shows the world through the eyes of a donkey
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‘Mother and Son’ Film Review: Intimate Immigration Drama Spans Decades
Cannes 2022: Léonor Serraille closes out Cannes’ main competition with a family story whose touch is more tactile than didactic
