Alexander Payne
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Coen Brothers, Alexander Payne, James Gray Going to New York Film Fest
"Inside Llewyn Davis," "Nebraska," "The Immigrant," "All Is Lost," "Blue Is the Warmest Color" join 2013 NYFF lineup
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Alexander Payne’s ‘Nebraska’ Loses Appeal of R-Rating
The MPAA's appeals board upholds earlier classification of the film for "some language"
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‘The Way, Way Back’ Review: Delightful, Comic Coming-of-Age Tale
“Way, Way Back” works because it concentrates on the specifics — it's telling this story, not any other, and yet it's one to which everyone can relate
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Hard-Hitting Films Unspool at AFI Docs Film Festival
Guest blog: Last week in D.C. was a glorious one for networking with top talent and seeing great films with the potential to move audiences to action
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The Oscar Race So Far: Let’s Hope the Best Is Yet to Come
Apart from "Before Midnight" and some visual-effects extravaganzas, the first half of 2013 has been notably light on awards movies
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Shailene Woodley Is the Perfect Girl Next Door in ‘The Spectacular Now’ Trailer (Video)
The actress stars opposite Miles Teller in the teen drama, which won the U.S. Dramatic Special Jury Award for Acting at Sundance earlier this year
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‘True Blood’ Star Luke Grimes Will Try to Kill Elvis in ‘The Shangri-La Suite’ (Exclusive)
Eddie O'Keefe will direct from a script he co-wrote with writing partner Chris Hutton
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‘Breaking Bad’s’ Bob Odenkirk to Write, Produce and Star in ‘Girlfriend’s Day’
Michael Paul Stephenson ("Best Worst Movie") will make his narrative directorial debut with the indie project
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Cannes: Lesbian Drama ‘Blue Is the Warmest Color’ Wins Palme d’Or
"Inside Llewyn Davis" and "Like Father, Like Son" win second and third-place awards; Bruce Dern and Berenice Bejo take acting honors
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Good Morning, Cannes: Father Figures, Funny Men and Teen Lesbians
Alexander Payne's "Nebraska" Jerry Lewis likes his comics male and "Blue Is the Warmest Color" gets the critics all hot and bothered
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What the Critics Are Saying About Alexander Payne’s ‘Nebraska’: An Oscar Contender?
Critics praise Bruce Dern though some fault Payne for retreading the same ground
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Cannes Review: In ‘Nebraska,’ Alexander Payne Paints an American Life
Bruce Dern delivers a sweet rendering of old age in Payne's most personal film, and one of his best
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Good Morning, Cannes: Robert Redford’s All Wet, and So Is the Fest
As the rain starts up again, Redford gets a lengthy ovation for J.C. Chandor's wordless lost-at-sea drama
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Good Morning, Cannes: The Sun Will Come Out Tomorrow
With a few good movies (and the new Uggie!) behind them, festivalgoers look forward to a jammed week with Soderbergh, Payne, Refn, Jarmusch, Polanski…
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Good Morning, Cannes: Will the Boo Birds Be Out for ‘The Great Gatsby?’
Catcalls will put Baz Luhrmann's film in good company — but the opening-night film is really just the aperitif before the sumptuous meal of cinema (and scandal) that is Cannes
