‘Slave Play’ Broadway Review: Jeremy O Harris’ Bold but Uneven Satire About Race Relations

The young playwright’s professional debut is a giant trigger warning in three acts

slave play
Photo: Matthew Murphy

Jeremy O. Harris’ “Slave Play,” which opened Sunday at Broadway’s Golden Theatre, is a giant trigger warning in three acts. This is an ambitious, at times uneven satire about race and sex and power and politics that seems designed to provoke.

The two-hour drama begins with the surprisingly graphic onstage couplings of three interracial couples on an antebellum Virginia plantation. A white overseer named Jim (Paul Alexander Nolan) hooks up with a broom-wielding slave named Kaneisha (Joaquina Kalukango, “When They See Us”) — though not before forcing her to eat cantaloupe off the floor. A white mistress (Annie McNamara) orders an educated mixed-race slave, Phillip (Sullivan Jones), to play the violin before penetrating him with a dildo.

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