Richard Donner Appreciation: An Old-School Hit-Maker Who Emerged From New Hollywood

Donner’s steering of hits like “Superman” and “Lethal Weapon” recalled the studio days when directors were directors and not auteurs

richard donner
Richard Donner in 1982 (Photo by Columbia Pictures/Getty Images)

Director Richard Donner, who died on Monday at age 91, was once compared to Victor Fleming (“Gone with the Wind”) and Michael Curtiz (“Casablanca”), old-school filmmakers who worked hard to give their studio bosses what they wanted (and to give the public what they thought it wanted).

Donner may have come into his own as a hit-maker during the New Hollywood of the 1970s, but no one ever accused him of being an auteur. He made accessible entertainments — and if that were an easy task, everyone would have done it — and helped usher in the modern era of superhero cinema with 1978’s “Superman,” a thrilling and utterly unironic take on the comic-book icon that feels more influential to contemporary moviemaking with each passing year.

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