‘Poker Face’ Achieves Its Vintage Look Thanks to Cinematographer Steve Yedlin’s Self-Taught Coding Skills

TheWrap magazine: Rian Johnson’s longtime lenser recalls thinking, “How can we do this the best we can, even if it’s not even the preferred method?”

Natasha Lyonne and Benjamin Bratt in "Poker Face"
Natasha Lyonne and Benjamin Bratt in "Poker Face" (Credit: Peacock)

A version of this story about the cinematography of “Poker Face” first appeared in the Comedy Series issue of TheWrap’s awards magazine.

Cinematographer Steve Yedlin has collaborated with two-time Oscar nominee Rian Johnson on every feature the latter has made, from 2005’s junior-noir “Brick” to the sci-fi mind-bender “Looper” to the striking “Star Wars: The Last Jedi” to last year’s “Knives Out” sequel, “Glass Onion,” and admits that “Poker Face,” Peacock’s sly fox of a mystery (for the uninitiated — envision a gender-swapped “Columbo” doing time on a fairly malevolent “Love Boat” that instead stays docked in different cities), is just part of a larger theme in their careers.

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