Movies
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‘Death of a Unicorn’ Review: A24 Horror Comedy Falls Flat
SXSW: Paul Rudd and Jenna Ortega star in a “Jurassic Park” riff with lackluster effects and few jokes that land
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The 7 Best New Movies on Max in March
Two of 2024’s best films are coming to the streaming service this month
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‘The Accountant 2’ Review: Tangled Storylines, Distractions – These Books Are a Mess
Nevertheless, the Ben Affleck-led sequel surpasses its original by keying into a lenient and dangerously playful tone
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‘Mickey 17’ Faces Tall Order at Box Office After $19 Million Opening Weekend
The high budget sci-fi film faces a dour theatrical outlook after $53.3 million global start
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Spike Lee Praises Ryan Coogler’s Vampire Thriller ‘Sinners’ Screening as ‘the Greatest Experience’
The vampire thriller is set for release in April
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Karla Sofía Gascón Commits to ‘Continuing to Learn and Listen’ in Latest Statement
“Only through understanding, compassion, forgiveness, and empathy can we build a world where difference is not synonymous with condemnation, but with richness,” she writes
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‘We Are Storror’ Review: Michael Bay’s Parkour Doc Is Literally Death-Defying
SXSW: The action filmmaker’s documentary debut chronicles YouTube celebrities Storror as they risk their lives for views and likes
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6 Movies to Watch If You Praised ‘Conclave’
We’re blessing you with holy goodies, like “The Two Popes” and “Immaculate”
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The 10 Best R-Rated Rom-Coms
For whenever you’re in the mood for a romantic comedy with a bit more of an edge
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John Goodman Injures Hip, Tom Cruise Movie Halts Production
The actor was preparing to film in the UK for Alejandro González Iñárritu’s newest feature
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‘Another Simple Favor’ Review: Cartoonish, Over-the-Top Sequel Lacks the Lust and Vigor of Original
Tart zingers and bicker-banter can’t save this out-of-focus follow-up from Paul Feig
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‘Mickey 17’ Sinks at Box Office to $18.5 Million Opening Weekend
Overall weekend totals plunge 60% from last year as the absence of a “Dune: Part Two”-level hit is felt
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‘The Rule of Jenny Pen’ Review: John Lithgow and Geoffrey Rush Are Jumpy Old Men
James Ashcroft’s unnerving horror film makes us wonder what’s scarier: the inescapable clutch of age, or Lithgow
