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‘Black Phone 2’ Should Snap Blumhouse’s Box Office Losing Streak
The sequel to Scott Derrickson’s 2022 horror hit is expected to be Blumhouse’s first film to open above $12 million in two years
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Inside Netflix’s Bid to Supercharge Faster, More Efficient VFX Through Virtual Production and AI | Exclusive
The streamer is merging its research lab Eyeline with longtime VFX house Scanline to create a one-stop shop for digital tools to better help creatives
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Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds
Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase
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SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience
Office With a View: They also talk about “Rabbit Trap,” which is available on digital now
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‘Wicked: For Good’ Trailer Boosts Sequel to No. 1 Title Audiences Are Most Excited About | Chart
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‘Tron: Ares’ Will Try to Tide Theaters Over As They Wait for Disney’s Box Office Titans
With “Zootopia” and “Avatar” sequels on the horizon, the third “Tron” film is expected to earn a comparatively modest $45-50 million opening
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‘Terrifier,’ Hollywood’s Newest Underdog, Makes Its Universal Halloween Horror Nights Debut
A film with a $55,000 budget has grown into a franchise that has joined Universal Studios’ yearly Halloween Horror Nights event
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Dwayne Johnson’s Dramatic Weight Loss: Why The Rock Is Trading Muscle for Movie Credibility | Analysis
The former WWE wrestler is following the path that Dave Bautista laid out in a bid to earn respect as an actor
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‘Smashing Machine’ Box Office: Dwayne Johnson’s Dramatic Leap Falls Flat With Career-Worst $5.9 Million Opening
Despite critical praise, audiences largely passed on Johnson’s performance as an MMA legend on the downswing of his career
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Row K Entertainment Emerges as Major New Hollywood Buyer With Splashy TIFF Shopping Spree
The company acquired the “Cliffhanger” reboot, “Dead Man’s Wire,” “Charlie Harper” and “Poetic License” from the festival
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Disney, Warner Bros. Execs Talk Facing Box Office Competition in Asia: ‘Trust Your Local Teams’
TheGrill 2025: Andrew Cripps and Jeff Goldstein discuss how Hollywood is “struggling to break through” in overseas markets where “Ne Zha 2” makes $2 billion
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Beyond the Tilly Norwood Hype, Studio Execs Explain How AI Is Actually Being Used
TheGrill 2025: Execs reject the idea of a synthetic actor and say AI’s arrival in Hollywood is happening in quieter ways
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Don’t Expect Taylor Swift’s Album Release Party to Be An ‘Eras Tour’-Level Hit for the Box Office
While a welcome replacement for “Michael,” Swift’s “Release Party of a Showgirl” is expected to make a third of her 2023 concert film
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Filmmakers Unpack the State of Indie Film and Shifting Value of Festivals
TheGrill 2025: Confluential Films CEO Tommy Oliver reveals the biggest offer “Fancy Dance” got in the 11 months after its Sundance premiere was $40,000
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Jerry Bruckheimer Says Margot Robbie Still Attached to New ‘Pirates’ Movie, Teases Nicolas Cage Return for ‘National Treasure 3’
TheGrill 2025: The “F1” producer also unpacks the making of his blockbuster Apple movie and gives a promising update on “Top Gun 3”
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