- Review employment policies and procedures for their negative impact on individuals from underrepresented groups
- Implement performance evaluations that include addressing bias and fostering diversity and inclusion in the workforce and, where appropriate to the position, in content
- Support mentorship, sponsorship and career coaching programs within organizations or through third parties
- Invest in industry training options to include implicit bias training that empowers bystanders and addresses microaggressions along with the violations of hiring and promotion standards
Anita Hill Study Finds Less Than Half of Hollywood Workers Believe Industry Leaders Care About Diversity and Inclusion
Available to WrapPRO members
Latest results of the Hollywood Commission’s survey focus on bias and unfair behavior in entertainment
Despite the push in Hollywood for greater diversity and inclusive hiring practices across the industry, less than half of entertainment industry workers actually believe that leaders see diversity and inclusion as one of their priorities or core values.
That’s one of the takeaways from the latest findings of the survey conducted by The Hollywood Commission, which is chaired by Anita Hill and founded by lawyer Nina Shaw and Lucasfilm’s Kathleen Kennedy. Just under half (49%) of the survey’s 9,630 respondents of current and former industry workers said they believed that diversity and inclusion are core values to the entertainment business.
Specifically, 61% of men thought diversity and inclusion were important, core values to leaders in Hollywood, while only 42% of white women, 38% of women of Hispanic, Latino or Spanish origin and 27% of Black women held the same belief. Men in particular – three quarters – think that the industry has seen significant progress in welcoming people of diverse backgrounds, experiences and perspectives, while only 63% of women feel enough progress has been made.
The findings of The Hollywood Commission’s latest report — the second of five separate reports of survey results it will release this year — were focused on bias and unfair behavior in entertainment as it pertains to sexual harassment and abusive power dynamics.
“Research clearly shows that diversity and inclusion is not only the right thing to do, it is good for creativity, productivity and the bottom line,” Hill said in a statement. “The entertainment industry has the unique potential to tell the stories of today’s richly diverse world. But to get there, the barriers to underrepresented people being valued and in ‘the room where it happens’ must be eliminated. And once they do get into ‘the room where it happens,’ they must not be the only one.”
The Commission found that women across all demographic memberships were roughly twice as likely as their male counterparts to experience every form of biased or unfair behavior. Women of color experienced even higher rates of bias than their white counterparts, with 30% of biracial or multi-racial respondents saying they were denied opportunities because of their race. What’s more, disabled individuals were nearly twice as likely to be biased against compared to bias experienced by able-bodied people.
Black women or biracial women who responded to the survey also frequently reported that they were told they were token hires, something they experienced three times more often than white women.
In addition to the 9,630 respondents to the survey, over 3,000 of those respondents also wrote detailed narrative answers detailing their experience with bias on set or in the workplace.
“Hollywood has an insidious problem with both sexual harassment and discrimination. Racial discrimination and racist behaviors and beliefs are ingrained in the business, from casting on down,” one respondent said. “Most white writers will never identify race in scripts, save for non-white characters. The assumption becomes every character is white unless otherwise noted.”
“Racism in writers’ rooms is an epidemic and it often happens on the most ‘diverse’ and ‘inclusive’ shows. Jobs are so hard to get it’s nearly impossible to report racism because it usually comes from the EPs and showrunners,” another said. “There needs to be a #MeToo movement for racism in writers’ rooms. Many of us have discussed it, but we are too afraid to report it.”
In response to the second report, the Commission gave a handful of recommendations on how to close gaps in awareness and provide tools to address behaviors in the workplace. Among them, industry leaders should: