‘I Wanna Dance With Somebody’ Review: Whitney Houston Biopic Plays the Hits, but Still Manages to Surprise

Naomi Ackie shines in her performance of the songstress in a film that doesn’t shy away from the singer’s attraction to women

I Wanna Dance With Somebody
Sony

Engineered to satisfy the nostalgia of adoring fans, the Whitney Houston biopic “I Wanna Dance with Somebody” unfurls as an inventory of touchstone moments in the gifted singer’s tumultuous career — a greatest hits album if you will.

With Naomi Ackie (“Small Axe”) in the central role and veteran director Kasi Lemmons (“Eve’s Bayou”) at the helm, the generally by-the-numbers execution and structure still yields some goosebumps-inducing highlights that evoke Houston’s stage presence.

The screenplay by Anthony McCarten, a sought-after biopic writer whose recent credits include the utterly conventional but awards-friendly “Bohemian Rhapsody” and “Darkest Hour,” drops us into the timeline in 1983 when Houston shared her privileged pipes with her congregation and at a local New Jersey club with her mother, Cissy (Tamara Tunie).

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