Here’s one thing to remember about the Golden Globes: It only has 87 voters, or slightly more than 1% as many as the Oscars do. And those 87 members of the Hollywood Foreign Press Association bring with them a variety of competing agendas, which makes predicting what they’ll do maddening at times. Here’s what we think will happen on Sunday night at the Beverly Hilton across all the film and TV categories. (Predicted winner is pictured and in bold)
Best Motion Picture – Drama
Nominees:
“The Irishman,”
“Joker,”
“Marriage Story,”
“1917,”
“The Two Popes” –
Unlike some Oscar voters, the HFPA doesn’t have a problem with Netflix, which treats them very well – so even though “The Irishman” might be more divisive and maybe not even as well liked overall, the heft it has as Martin Scorsese’s last word on gang movies could give it a very slight edge.
Best Performance by an Actress in a Motion Picture – Drama
Nominees:
Cynthia Erivo, “Harriet,”
Scarlett Johansson, “Marriage Story,”
Saoirse Ronan, “Little Women,”
Charlize Theron, “Bombshell,”
Renee Zellweger, “Judy” –
For months, Renee Zellweger has been the presumed frontrunner for channeling Judy Garland in “Judy.” This will be her first real test, and it seems unlikely that Globes voters will resist – but Charlize Theron’s performance as Megyn Kelly in “Bombshell” broke late and picked up momentum, so she can’t be ruled out.
Best Performance by an Actor in a Motion Picture – Drama
Nominees:
Christian Bale, “Ford v Ferrari,”
Antonio Banderas, “Pain and Glory,”
Adam Driver, “Marriage Story,”
Joaquin Phoenix, “Joker,”
Jonathan Pryce, “The Two Popes” –
Divorced dad or disturbed loner? Adam Driver and Joaquin Phoenix are probably the two strongest contenders here, with Jonathan Pryce and Antonio Banderas angling for what would be a big upset. Driver also has performances in “The Report” and “Star Wars: The Rise of Skywalker” to bolster his resume, while a Phoenix win would likely be the best way to recognize “Joker,” which a number of Globes voters are said to have loved.
Best Motion Picture – Musical or Comedy
Nominees:
“Dolemite Is My Name,”
“JoJo Rabbit,”
“Knives Out,”
“Once Upon a Time … in Hollywood,”
“Rocketman” –
The two likeliest winners in this category have always been “Once Upon a Time … in Hollywood” and “Jojo Rabbit” but numbers alone would suggest that the former film has the upper hand: it received five nominations, tied with “The Irishman” and trailing only “Marriage Story,” while “Jojo” is only nominated in one other category, actor in a comedy. The only thing that could hurt “OUATIH” would be the Globes’ longstanding tendency to spread the wealth – with Leonardo DiCaprio and Brad Pitt favorites in their categories and Quentin Tarantino a possible frontrunner for both directing and writing, will they want to give something else an award here? Probably not – if they are looking to avoid a Tarantino sweep, they’ll probably do so in a different category.
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Nominees:
Ana de Armas, “Knives Out,”
Awkwafina, “The Farewell,”
Cate Blanchett, “Where’d You Go, Bernadette,”
Beanie Feldstein, “Booksmart,”
Emma Thompson, “Late Night” –
While Blanchett and Thompson are legends, their films weren’t widely seen. Nominations in other categories would suggest that “Knives Out” and “The Farewell” are the two films here that voters like the best, and Awkwafina is certainly the person in this group that the HFPA will most want to see on stage at the Globes.
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Nominees:
Daniel Craig, “Knives Out,”
Roman Griffin Davis, “Jojo Rabbit,”
Leonardo DiCaprio, “Once Upon a Time … in Hollywood,”
Taron Egerton, “Rocketman,”
Eddie Murphy, “Dolemite Is My Name” –
While Taron Egerton would help the HFPA justify the “musical” part of this category’s name, he has the disadvantage of being in a category with two icons, Leonardo DiCaprio and Eddie Murphy, both of them in well-liked movies. Murphy has a real shot, particularly if voters are trying to spread the wealth, but DiCaprio probably has more across-the-board support.
Best Director – Motion Picture
Nominees:
Bong Joon Ho, “Parasite,”
Sam Mendes, “1917,”
Todd Phillips, “Joker,”
Martin Scorsese, ‘The Irishman,”
Quentin Tarantino, “Once Upon a Time … in Hollywood,” –
This one is tough. If “1917” or “The Irishman” win in the drama category, it stands to reason that Sam Mendes or Martin Scorsese should win here. But the two categories have matched only twice in the last six years, and Globe voters could easily go to Quentin Tarantino or Bong Joon Ho, whose films will likely win in the comedy and foreign language categories, respectively. Bong is the real wild card here — Globe rules prevented his film from being nominated in one of the two top film categories, and voters could make a big statement by giving him this award (or the screenplay prize). I’m guessing Tarantino but I’m tempted to go with Bong.
Best Performance by an Actress in a Supporting Role in Any Motion Picture
Nominees:
Kathy Bates, “Richard Jewell,”
Annette Bening, “The Report,”
Laura Dern, “Marriage Story,”
Jennifer Lopez, “Hustlers,”
Margot Robbie, “Bombshell” –
A vote for Laura Dern also honors her performance in “Little Women” and gives “Marriage Story” a win, so she’s a strong contender. But will Jennifer Lopez’s star power, and that pole dance in “Hustlers,” be enough to convince voters that they want her on their stage? Probably.
Best Performance by an Actor in a Supporting Role in Any Motion Picture
Nominees:
Tom Hanks, “A Beautiful Day in the Neighborhood,”
Anthony Hopkins, “The Two Popes,”
Al Pacino, “The Irishman,”
Joe Pesci, “The Irishman,”
Brad Pitt, “Once Upon a Time … in Hollywood” –
In a formidable lineup of actors who are almost all co-leads in their movies, the edge may go to the most undeniable movie star of the bunch. In fact, Brad Pitt is probably one of the surest bets for a “OUATIH” win.
Best Screenplay – Motion Picture
Nominees:
Noah Baumbach, “Marriage Story,”
Bong Joon Ho and Han Jin Won, “Parasite,”
Anthony McCarten, “The Two Popes,”
Quentin Tarantino, “Once Upon A Time … in Hollywood,”
Steven Zaillian, “The Irishman” –
By combining original scripts and adaptations into a single category, Globe voters created a strong field in which any one of the film nominees could conceivably win. If Quentin Tarantino doesn’t win Best Director, he probably will win here – but if he wins director, this could be a spot for any of the other nominees. “Parasite” is absolutely possible and so is “The Two Popes,” but this may be the easiest place to honor Noah Baumbach and “Marriage Story.”
Best Motion Picture – Animated
Nominees:
“Frozen II,”
“How to Train Your Dragon: The Hidden World,”
“The Lion King,”
“Missing Link,”
“Toy Story 4” –
The last installments of “Frozen,” “How to Train Your Dragon” and “Toy Story” all won in this category, but will voters want to go back to any of those franchises a second time? And Disney didn’t even submit the “live-action” remake of “The Lion King” to the Globes as an animated film, so its chances of winning in a category where it didn’t want to be are slim. If voters balk at honoring a sequel, it’ll help “Missing Link,” the only non-sequel or remake in the category, and a film from a company, Laika, that has avidly courted the HFPA. (Of course, so has everybody else.) I’ll pick the sequel that feels the least like its predecessors, “Toy Story 4,” to win in a close race with “Missing Link.”
Best Motion Picture – Foreign Language
Nominees:
“The Farewell,”
“Les Misérables,”
“Pain and Glory,”
“Parasite,”
“Portrait of a Lady on Fire” –
“The Farewell” is a crowd-pleasing film that would have been nominated in the comedy category except for Globes rules excluding foreign-language films from that category, but “Parasite” also has nominations for director and screenplay. The HFPA is smart enough to know that if they give the award to anything else, they’ll look silly.
Best Original Score – Motion Picture
Nominees:
“Motherless Brooklyn,”
“Little Women,”
“Joker,”
“1917,”
“Marriage Story,” –
If Joaquin Phoenix doesn’t win for “Joker,” this category could be the movie’s consolation prize – and while that would be an adventurous choice musically, Globe voters don’t usually get adventurous here. In fact, they usually go with the most obvious choice, which this year is clearly Thomas Newman’s essential score for “1917” over his cousin Randy’s more intimate work on “Marriage Story.”
Best Original Song – Motion Picture
Nominees:
“Beautiful Ghosts” from “Cats,”
“(I’m Gonna) Love Me Again” from “Rocketman,”
“Into the Unknown” from “Frozen 2,”
“Spirit” from “The Lion King,”
“Stand Up” from “Harriet” –
At one point, I might have suggested that Globes voters would want to glory in the fact that they nominated Taylor Swift when the Academy didn’t even shortlist her for the song she wrote with Andrew Lloyd Webber for “Cats.” But now that the film is a fiasco of epic proportions, HFPA members know they’ll be ridiculed if they give that movie any awards. Robert Lopez and Kristin Anderson-Lopez won Oscars for the original “Frozen” and for “Coco,” but they lost both times at the Globes and may be up against too much celebrity here. Cynthia Erivo has a real chance to win for “Stand Up” from the movie in which she also stars, and she apparently wowed the voters at her HFPA press conference. But Elton John for “Rocketman” and Beyonce for “The Lion King” are clearly formidable as well. I give a slight edge to Elton because they liked his film enough to also give it picture and actor nominations.
Best Television Series – Drama
Nominees:
“Big Little Lies,”
“The Crown,”
“Killing Eve,”
“The Morning Show,”
“Succession” –
The Globes rarely have repeat winners in this category – which won’t be a problem, considering that last year’s winner, “The Americans,” is now off the air. But one otherwise strong contender, “The Crown,” won in this category three years ago, and “Big Little Lies” won four awards in 2017, when the HFPA and HBO pretended it was a limited series rather than a continuing one. Those past wins might give a boost to two newer shows, “Succession” and “The Morning Show” — and given the HFPA’s love for finding and saluting first-year shows, and the fact that their members are said to adore “The Morning Show,” I’ll go with Season 1 of that show beating Season 2 of “Succession.”
Best Performance by an Actress in a Television Series – Drama
Nominees:
Jennifer Aniston, “The Morning Show,”
Olivia Colman, “The Crown,”
Jodie Comer, “Killing Eve,”
Nicole Kidman, “Big Little Lies,”
Reese Witherspoon, “The Morning Show” –
Olivia Colman could be irresistible for what she’s done in taking over the Queen Elizabeth role in “The Crown” – but if the two “Morning Show” nominees don’t split the vote, that show could well win here too. It’s been 17 years since Jennifer Aniston has won a Globe, and the voters may want to welcome her back.
Best Performance by an Actor in a Television Series – Drama
Nominees:
Brian Cox, “Succession,”
Kit Harington, “Game of Thrones,”
Rami Malek, “Mr. Robot,”
Tobias Menzies, “The Crown,”
Billy Porter, “Pose” –
“Game of Thrones” and “Mr. Robot” have had enough Globes success that those shows don’t need final-season parting gifts from the HFPA, and Tobias Menzies is probably a less likely winner than his “The Crown” castmate Olivia Colman is in her category. While voters would no doubt love the shot of energy that Billy Porter would bring to the stage, Brian Cox and “Succession” are just too formidable.
Best Television Series – Musical or Comedy
Nominees:
“Barry,”
“Fleabag,”
“The Kominsky Method,”
“The Marvelous Mrs. Maisel,”
“The Politician” –
“The Kominsky Method” won last year. A series hasn’t won the Globe in this category in consecutive years since “Glee” in 2010-2011, and “Kominsky” doesn’t seem likely to do it either. “Maisel” won two years ago, so it gets docked a notch as well, while “Barry” was nominated last year. If voters are truly looking for something new, that’d be “The Politician” – but “Fleabag” is a first-time nominee and was the hottest show at the Emmys this year. The question is whether the HFPA wants to pick something the Television Academy already honored – and the answer, I suspect, is that Season 2 of “Fleabag” was so cool that they’ll be OK doing just that.
Best Performance by an Actress in a Television Series – Musical or Comedy
Nominees:
Christina Applegate, “Dead to Me,”
Rachel Brosnahan, “The Marvelous Mrs. Maisel,”
Kirsten Dunst, “On Becoming a God in Central Florida,”
Natasha Lyonne, “Russian Doll,”
Phoebe Waller-Bridge, “Fleabag” –
Rachel Brosnahan has won in this category the last two years in a row, but the Globes have only had the same winner in three consecutive years once, when Sarah Jessica Parker did it from 1999 through 2001. There’s too much competition for Brosnahan to do that, particularly in the form of Kirsten Dunst and Phoebe Waller-Bridge. Dunst has the newer show, but Waller-Bridge is the year’s hottest star.
Best Performance by an Actor in a Television Series – Musical or Comedy
Nominees:
Michael Douglas, “The Kominsky Method,”
Bill Hader, “Barry,”
Ben Platt, “The Politician,”
Paul Rudd, “Living With Yourself,”
Ramy Youssef, “Ramy” –
Douglas won last year. Hader would be the obvious choice except that he was nominated last year, and voters might look for someone on a newer show, either Ben Platt for “The Politician” or Ramy Youssef for “Ramy.” Then again, that “ronny/lily” episode of “Barry” was pretty awesome, and the show did come into its own in Season 2.
Best Television Limited Series or Motion Picture Made for Television
Nominees:
“Catch-22,”
“Chernobyl,”
“Fosse/Verdon,”
“The Loudest Voice,”
“Unbelievable” –
Shockingly, HFPA voters completely overlooked “When They See Us” in this category. With Ava DuVernay’s miniseries out of the running, the strongest candidates are probably the Emmy winner, “Chernobyl”; the newest show, “Unbelievable”; and the flashiest one, “Fosse/Verdon.” “Chernobyl” would be the obvious choice and “Unbelievable” the trendy one, but I hear the voters really loved “Fosse/Verdon.”
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Nominees:
Kaitlyn Dever, “Unbelievable,”
Joey King, “The Act,”
Helen Mirren, “Catherine The Great,”
Merritt Wever, “Unbelievable,”
Michelle Williams, “Fosse/Verdon” –
Helen Mirren is, you know, Helen Freakin’ Mirren. Merritt Wever is an Emmy favorite who’s never before been nominated for a Globe, so they owe her. And Michelle Williams is dazzling as Gwen Verdon in the miniseries that voters might like best in this category.
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Nominees:
Christopher Abbott, “Catch-22,”
Sacha Baron Cohen, “The Spy,”
Russell Crowe, “The Loudest Voice,”
Jared Harris, “Chernobyl,”
Sam Rockwell, “Fosse/Verdon” –
If a “Fosse/Verdon” sweep is unlikely, which I think it is, it’ll be hard to overlook Jared Harris in “Chernobyl.” And it’ll also be hard for the HFPA not to give something to that powerful miniseries.
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Nominees:
Patricia Arquette, “The Act,”
Helena Bonham Carter, “The Crown,”
Toni Collette, “Unbelievable,”
Meryl Streep, “Big Little Lies,”
Emily Watson, “Chernobyl” –
Just about everybody in Season 1 of “Big Little Lies” won an award — so why not HFPA favorite Meryl Streep for Season 2? Helena Bonham Carter and Toni Collette could supply some pretty good reasons why not, but voters will remember how Streep stole the show the last time she took the stage at the Globes.
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Nominees:
Alan Arkin, “The Kominsky Method”
Kieran Culkin, “Succession”
Andrew Scott, “Fleabag”
Stellan Skarsgard, “Chernobyl”
Henry Winkler, “Barry”
I would say that the favorite is Andrew Scott from “Fleabag,” but by my reckoning that would give that show three Globes — and only two series in the last decade, “Homeland” and “Glee,” won that many awards in a single show. (Three miniseries did as well.) Still, despite the possibility of a Kieran Culkin win, how do you not give an award to the hot priest, especially after the Emmys didn’t even nominate him?
