Editor Thelma Schoonmaker Is Surprised by How Long ‘The Irishman’ Is Too

TheWrap Oscar magazine: “When we screened it for the first time, people had no problem with the length, and we were astounded,” Martin Scorsese’s longtime editor says

Thelma Schoonmaker
Editor Thelma Schoonmaker now, left, and in the editing room on "Woodstock" in 1970 / AMPAS

A version of this story about Thelma Schoonmaker and “The Irishman” first appeared in the Down to the Wire issue of TheWrap’s Oscar magazine.

Let’s face it: It was only a matter of time before Thelma Schoonmaker would at least tie Michael Kahn as the most-nominated film editor in Oscar history — and when she got there, as she did this year, it was always going to be for another of her collaborations with director Martin Scorsese.

“The Irishman,” her record-tying eighth nomination, is the 21st feature Schoonmaker has made with Scorsese, the 22nd if you count Michael Wadleigh’s 1970 documentary “Woodstock,” on which she and Scorsese were both editors.

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