Inside the corny chaos of the going-back-home lark “Easter Sunday,” starring comedian Jo Koy, is the point that families are messy. Of course, one doesn’t need to belong to a big Filipino clan like the movie’s onscreen Valencias to grasp that, and it’s almost quaint how that message is articulated for us at the end as some fresh bit of wisdom when, since scene one, relatives in various states of bickering aggravation (father-son, ex-ex, sister-sister, cousin-cousin) have been the comedy’s go-to note.
A more lasting takeaway from “Easter Sunday” about what’s messy has to do with vehicles for stand-ups trying to break into movies.