‘C’mon C’mon’ Film Review: Joaquin Phoenix Explores His Paternal Side in Humane Mike Mills Dramedy

Phoenix, Gaby Hoffman, and young Woody Norman build familial bonds as the film explores the hopes of the young for life on this planet

Cmon Cmon
Tobin Yelland/A24

This review was first published on Sept. 8, 2021, following its premiere at Telluride.

Imagine growing up at the end of times, on a tattered planet suffocating under ceaseless environmental mayhem and the putrid fumes of socioeconomic injustice. That today’s children and teenagers, conscious of the discouraging prospects left for them by adults, can still envision a livable future must be a miracle of our species’ resilient hopefulness.

Testimonies from those young souls bolster “C’mon C’mon,” a heartwarmingly chaotic intergenerational dialogue turned heartening dramedy. Mike Mills’ latest feature, his first in five years, sees the writer-director once again observing the impasses and affinities of parents and their kids.

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