TheWrap Magazine
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‘Guillermo del Toro’s Cabinet of Curiosities’: Why Production Designer Tamara Deverell Feels 8 Directors Is Enough
TheWrap magazine: “It was a bit of a dance between what I know Guillermo wants and what each director wants,” the Oscar nominee says
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‘The Last of Us’ Star Bella Ramsey Understood Their Character Right Away: ‘Ellie Came Very Naturally for Me’
TheWrap magazine: “Some characters, I read the scripts and you sort of feel them under your skin already,” the actor says
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‘Murdaugh Murders’ Storyline Snowballed for the Producers, Too: ‘More You Started Getting Into It, the Crazier It Got’
TheWrap magazine: EPs Michael Gasparro and Julia Willoughby Nason unpack the series of crimes that took down Alex Murdaugh
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Ken Burns Draws Parallels Between WWII and Today in ‘The U.S. and the Holocaust’
TheWrap magazine: “We wanted to remind people of the fragility of the institutions that we take for granted,” the documentarian told TheWrap
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‘The 1619 Project’ and Nikole Hannah-Jones Illuminate America’s Dark History – This Time, for TV
Hulu’s adaptation of the journalist’s towering New York Times work strikes a nerve with viewers on both sides of the aisle
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Genre TV Strikes Back at the Emmys With ‘Andor,’ ‘Swarm’ and ‘Yellowjackets’
TheWrap magazine: As Dominique Fishback, Diego Luna and Melanie Lynskey testify, fantasy and horror can speak to our reality
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Why ‘Tár’ Director Todd Field Wanted His Film to Provoke a ‘Loud Conversation in the Culture’
TheWrap magazine: The Oscar nominee talks about the “jumble of contradictions” that is Lydia Tár
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‘Aftersun’ Star Paul Mescal Is Proud of Being Nominated for His Not ‘Classically Oscar-y’ Performance
TheWrap magazine: “There was never a firm expectation that this would happen,” Mescal says. “We were wonderfully outside of the bubble”
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Austin Butler’s Secret: He Needed to Be Elvis to Get Through Awards Season
TheWrap magazine: The star of “Elvis” reflects candidly on the film, losing Lisa Marie Presley and hanging on to a little bit of the King
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‘The Sea Beast’ Director Chris Williams on Crafting the Opening Sequence: ‘I Wanted to Make a Splash’
TheWrap magazine: “I’m a big fan of well-executed action,” Williams says
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For ‘The Banshees of Inisherin’ Star Kerry Condon, Animals Are Perfect Scene Partners
TheWrap magazine: “They were this pure aspect that made me go, ‘Gosh, humans are so silly, so complicated — bickering and fighting and thinking about our existence,’” Condon says
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‘Strange World’ Director Don Hall on the Descent Into the Unknown: ‘Death Could Be Around Any Corner’
TheWrap magazine: “It was meant to feel claustrophobic,” Hall said, referring to a key scene in which the characters come face-to-face with grave danger
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‘A Man Called Otto’ Star Mariana Treviño on Why Playing a Strong Latin Mother Matters
TheWrap magazine: “I love that we can show the Latin American family when we’ve been isolated and disconnected,” says the actress who costars with Tom Hanks
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‘Lightyear’ Director Angus MacLane on That Big Twist Featuring Old Buzz
TheWrap magazine: “One of the things that the movie is dancing around is how nostalgia can poison us into repeating ourselves,” the filmmaker says
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Why Guillermo del Toro Wanted to Make a Disobedient Pinocchio in His Version of the Classic
TheWrap magazine: “I didn’t quite understand why he needed to be an obedient boy to be loved,” the filmmaker says
