TheWrap Magazine
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‘Till’ Star Danielle Deadwyler Says Playing Emmett Till’s Mother Required ‘Complete Attention and Reverence’
TheWrap magazine: The role, Deadwyler says, was “drenched with a particular kind of historical and present trauma”
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‘Aftersun’ Director Charlotte Wells on the Poignant Journey of Making Her Semi-Autobiographical Debut Film
TheWrap magazine: “The film comes together for people at completely different points,” says the filmmaker
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‘Turning Red’ Director Domee Shi and Producer Lindsey Collins Explain That ‘Godzilla-esque’ Showdown
TheWrap magazine: The scene plays with the idea of a kid worried about getting in trouble. “It’s funny and scary at the same time,” Collins says
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Why the Pandemic Spurred Sam Mendes to Face His Mother’s Mental Illness in ‘Empire of Light’
TheWrap magazine: “It was something I felt had been sitting there waiting to be written about for a long time,” the director says
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How Claire Foy Drew On ‘Righteous’ Anger to Play a Survivor of Sexual Assault in ‘Women Talking’
TheWrap magazine: The actress said she found Sarah Polley’s “extraordinary” script about Mennonite women more true to the modern world than people might think
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‘Women Talking’ Star Claire Foy Finds Her Place in the Sun for TheWrap (Exclusive Photos)
TheWrap magazine: The actress basked in the glow of California light during a photo shoot with Corina Marie
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Cinematographer Roger Deakins Goes In Front of the Camera for TheWrap (Exclusive Photos)
TheWrap magazine: The Director of Photography on “Empire of Light” and many other films found himself on the other side of the lens during a shoot with Irvin Rivera
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Why the Rigorous Editing Process of ‘Bad Sisters’ Makes the Show So Good
TheWrap magazine: “It’s very enjoyable just spending time with them, whether they’re trying to kill ‘the Prick’ or not,” editor Derek Holland jokes
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How ‘The Bear’ Cinematographer Pulled Off That Impressive 18-Minute Take With No Cuts
TheWrap magazine: “I have always pushed directors to let a scene go as long as you can,” DP Andrew Wehde says
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Why ‘Living’ Star Bill Nighy Is a Cinematographer’s Dream: He ‘Commands Space’
TheWrap magazine: “He’s got a gravity to him that becomes very evident when you’re around him,” says DP Jamie D. Ramsay
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How the Designers of ‘Elvis’ and ‘Blonde’ Brought 2 Icons Back to Life on Screen
TheWrap magazine: Here’s how you duplicate (or tweak) some of the most familiar looks of the last century
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Cinematographer Roger Deakins Fears That Moviegoing Has ‘Changed Beyond Repair’
TheWrap magazine: “I don’t think producers and studio people are willing to take the risk on a film that expands the cinematic language,” says the legendary DP of “Empire of Light”
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How ‘Mrs. Harris Goes to Paris’ Costume Designer Created New Gowns ‘In the Spirit of Christian Dior’
TheWrap magazine: Three-time Oscar winner Jenny Beavan (“Cruella,” “Mad Max: Fury Road”) explains how she added her own touch to classic designs
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Why ‘Top Gun: Maverick’ Cinematographer Claudio Miranda Got His Pilot License to Work on the Tom Cruise Blockbuster
TheWrap magazine: “When I first heard about the job, I said, ‘OK, let me get into the plane and let’s start figuring this out,’” the Oscar winner says
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How Costume Designer Mitchell Travers Transformed Jessica Chastain and Michael Shannon Into ‘George & Tammy’
TheWrap magazine: “I would argue that the country world is now a bit more conservative than it was,” Travers says, of famous duo George Jones and Tammy Wynette
