TheWrap Magazine
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‘Nickel Boys’ Director RaMell Ross Says Making Movies Is Like Jumping on a ‘Weird Carousel’
TheWrap magazine: “Cinema lends itself to the play between the surreal, the symbolic, the experiential, the nonsensical and the aesthetic,” he says
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How ‘Will & Harper’ Took on a ‘Whole New Meaning’ After Trump’s Election
TheWrap magazine: “The only way to push back against this hate and division is with love and empathy,” director Josh Greenbaum says
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‘Landman’ Star Billy Bob Thornton Is in it for the Long Haul: ‘Taylor Has a Vision’
TheWrap magazine: Why Taylor Sheridan’s latest was the perfect vehicle for the star
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‘The Franchise’ Isn’t Punching Down – It’s Actually a Love Letter to Hollywood Crews
TheWrap Magazine: Series stars Himesh Patel, Aya Cash, Lolly Adefope and Billy Magnussen break down the Max series’ goal
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Becoming ‘SNL’: How the ‘Saturday Night’ Cast Captured the Magic of the Not Ready for Prime Time Players
TheWrap magazine: Nicholas Braun, Ella Hunt, Gabriel LaBelle, Kim Matula, Lamorne Morris, Dylan O’Brien and Matt Wood talk playing the most famous ensemble in TV history
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Composer Harry Gregson-Williams’ Job on ‘Gladiator II’: 100 Minutes of New Music, and a Little Bit of Hans Zimmer
TheWrap magazine: The exchange came with the composer’s plans to incorporate a bit of Hans Zimmer’s theme from the first “Gladiator”
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Volker Bertelmann’s Key to Writing the Score for ‘Conclave’: Religious Music, But Nasty
TheWrap magazine: The German composer turned to a rare French instrument from the 1950s that can sound religious but also distorted
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How the Music for ‘Frida’ Documentary Gave ‘Inner Voice’ to the Beloved Artist
TheWrap magazine: Victor Hernández Stumpfhauser explains how he used guitar, synthesizer and the human voice to build the film’s triumphal score
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Why Marianne Jean-Baptiste Wanted to Hit Her Character in ‘Hard Truths’
TheWrap magazine: The Oscar-nominated actress reunites with her “Secrets & Lies” director Mike Leigh for a stirring, hard-to-swallow performance
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Kirsten Dunst on Working With Husband Jesse Plemons in ‘Civil War’: ‘We Didn’t Talk Until We Were Done’
TheWrap magazine: “I gave him his space, and I think it was so disturbing for him to play that role,” she says of Plemons’ terrifying performance
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How Jharrel Jerome Evolved Into a Grown Man While Making Sports Drama ‘Unstoppable’
TheWrap magazine: “My whole work ethic increased dramatically,” the Emmy-winning actor says. “I want the leading roles and I want my physique to help me enter that world”
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How Film Schools Are Bracing for Change in a Time of Hollywood Disruption
TheWrap magazine: Deans of three top film schools — USC, AFI and Chapman — address how they’re adapting to an industry in turmoil and a looming drop in college applicants
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‘The Gilded Age’ Costumes: A Display of Wealth, Power and Sophistication
TheWrap magazine: Every day was a fashion show for the “ladies of means” in 19th century New York, costume designer Kasia Walicka-Maimone says
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Here Are All the Ways John Hawkes Was Wrong About His Emmy-Nominated Role in ‘True Detective’
TheWrap magazine: The “Night Country” actor admits he resisted showrunner Issa López’s ideas for his character and the song he performs on the HBO limited series
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How Elizabeth Debicki Tackled Playing Princess Diana, the Role That ‘Scared the Hell’ Out of Her
TheWrap Magazine: “It sounds like I’m exaggerating, but it did feel a little bit impossible for a while,” the Emmy-nominated actress says of her experience on “The Crown”
