TheWrap Magazine
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‘Elemental’ Director Peter Sohn on the Sequence Inspired by ‘Generational Legacy’
TheWrap magazine: The Pixar director talks about crafting its latest marvel
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Paul Giamatti Loves Working With ‘The Holdovers’ Director Alexander Payne Because ‘He’s Smarter Than Me’
TheWrap magazine: Fresh off his Golden Globe win for their latest collab, Giamatti breaks down what makes his work with Payne stand out
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‘Trolls Band Together’ Director Walt Dohrn Says He Couldn’t Get Enough of Its ‘Trippy’ 2D Detour
TheWrap magazine: The longtime director on the franchise says working with Titmouse on the sequence was “so beautiful and so great”
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How ‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ Crafted That Unforgettable Montage
TheWrap magazine: Jeff Rowe tells all about the “No Diggity”-scored scene
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‘Spider-Man: Across the Spider-Verse’ Creators Return With Multiple Directors: ‘Like Watching a Great Jazz Combo’
TheWrap magazine spoke to the filmmakers behind the animated superhero sequel
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Taraji P. Henson Says Playing Shug in ‘The Color Purple’ Stretched Her ‘Beyond My Imagination’
TheWrap magazine: “I was nervous as hell,” the Oscar nominee says. “So many incredible women have played Shug”
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Emerald Fennell on ‘Saltburn,’ Sexiness and Making the Audience Squirm
TheWrap magazine: “We’re not used to people showing us things that are sexy that make us feel uncomfortable, and therefore people are inclined to say, ‘Oh, it’s gross-out’”
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Aunjanue Ellis-Taylor Is ‘Still Processing’ the Profound, Painful Experience of Making ‘Origin’
TheWrap magazine: The actress worked closely with writer-director Ava DuVernay to grapple with difficult material about race and inequality
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Jeffrey Wright Says He’s ‘Grateful’ the Director of ‘American Fiction’ Didn’t Want Anyone Else in the Lead Role: ‘No Plan B’
TheWrap magazine: Despite being sent a list of Hollywood actors for his feature directorial debut, Cord Jefferson said he “just knew” Wright was the only one for the role
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Michael Mann on Why ‘Ferrari’ Star Adam Driver Is the Ultimate Muse
TheWrap magazine: “I knew the first time I met him after about 10 minutes that he’s the guy to go on this journey,” the legendary filmmaker says
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Ava DuVernay on Her New Movie ‘Origin’ and Why Racism Is Just a ‘Band-Aid on a Wound’
TheWrap magazine: “It’s the skin on a skeleton. The skeleton is caste,” DuVernay says, discussing her new drama that digs into the root of inequality
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‘May December’: How Bergman, Mirror Play and Ace Acting Shaped the Netflix Film’s Unique Look
TheWrap magazine: Cinematographer Christopher Blauvelt enthuses that “the way they expanded on” the script “was something that I didn’t expect”
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Finding the Cringey Core of ‘The Curse’: ‘It Was Treated Like Drama and the Horror Is Inherent in the Material’
TheWrap magazine: Editor Adam Locke-Norton adds, “the pace was a little unusual for TV, it’s more like a European film”
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How Cinematographer Erik Messerschmidt Revved Up Michael Mann’s ‘Ferrari’ Without Green Screen
TheWrap magazine: “All the racing in the movie is real,” says the Oscar-winning lenser
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How ‘The Holdovers’ Added Frame Stains and Real Snow to Create a 1970s Holiday Landscape
TheWrap magazine: “We shot in Boston and the whole schedule was designed around when we would be most likely to have snow,” says cinematographer Eigil Bryld
