TheWrap Magazine
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‘Ultraman: Rising’ Director Breaks Down Giant Monster Movie Climax
TheWrap magazine: Shannon Tindle walks us through a spectacular scene from his animated feature that’s based on the classic Japanese character
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Why Joan Chen Is ‘Energized’ by the Authenticity of Sean Wang’s ‘Dìdi’
TheWrap magazine: “Culturally, people who looked like me just weren’t cast in movies or anything meaningful,” the actress says
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How ‘Wallace and Gromit’ Topped Their Own Iconic Chase in ‘Vengeance Most Fowl’
TheWrap magazine: Directors Nick Park and Merlin Crossingham break down the breathless new sequence
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‘The Wild Robot’: How That Epic, Nearly Wordless Snow Storm Scene Came Together
TheWrap magazine: Chris Sanders takes us behind the scenes of what he called one of “the biggest moments in the film”
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‘Dune: Part Two’ Director Denis Villeneuve Is Ready for Another Round: ‘I Want to Go Back to Arrakis’
TheWrap magazine: The filmmaker behind one of the year’s biggest, densest blockbusters discusses the movie’s humor
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‘Memoir of a Snail’ Director Adam Elliot on the ‘Frustration’ That Led to His Latest Stop-Motion Marvel
TheWrap magazine: learn how “Succession” star Sarah Snook tapped into the character for her heartbreaking narration
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How ‘Flow’ Became a Sleeper Sensation Using Over-the-Counter Software
TheWrap Magazine: Multi-hyphenate filmmaker Gints Zilbalodis breaks down his wordless “cat-versus-nature” film
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Yura Borisov Had No Idea ‘Anora’ Would Be His Hollywood Breakout
TheWrap magazine: The Russian actor, already established in his native country, says the glowing response to his empathetic henchman in the Sean Baker indie is “a big surprise”
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Why ‘The Brutalist’ Star Guy Pearce Imagined a Big Game Hunter to Prepare for His Tycoon Role
TheWrap magazine: Brady Corbet’s epic drama has placed the journeyman Australian actor in a year-end awards conversation for the first time ever
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Anxiety Dream: How a New Character Gave ‘Inside Out 2’ Just the Right Jolt
TheWrap magazine: Anxiety, director Kelsey Mann says, switches the “power of imagination, something that was used for good and play … to this worst-case scenario”
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Cynthia Erivo Casts a Spell: How Her Elphaba Changed ‘Wicked’ for Good
TheWrap magazine: The Emmy, Grammy and Tony-winning entertainer reaches new heights in Jon M. Chu’s film adaptation of Broadway’s beloved trip to Oz
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‘Pachinko’: Inside the Editing Room for the Game-Changing Season 2 Finale
TheWrap magazine: Showrunner Soo Hugh wants to “make sure we have options in the cutting room — ‘mild,’ ‘medium’ and ‘spicy’ performances,” editor Susan E. Kim says
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Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’
TheWrap magazine: Makeup designer Mike Marino says the biggest challenge in creating Oz Cobb’s look was fighting that thick head of hair
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What Is VistaVision? How ‘The Brutalist’ Revived a Beautiful but Cumbersome Film Format
TheWrap magazine: Cinematographer Lol Crawley describes the artistic power of this unique film process – and why it’s come back in style
