Cannes Report
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The Fashion Eclipse in Cannes
Inside the fashion industry’s takeover of the prestigious film festival
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‘Club Zero’ Review: Jessica Hausner’s Eating Disorder Satire Is a Tough Nut to Crack
Cannes 2023: The hard look at modern anxieties has mixed effect
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‘La Chimera’ Review: Another Stunning and Lyrical Countryside Parable From Alice Rohrwacher
Cannes 2023: One of the best films in this year’s competition contemplates time and existence by excavating the past
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Cannes Day 11: Wim Wenders’ ‘Perfect Days’ Has Perfect Debut
Meanwhile Catherine Breillat’s “Last Summer,” about an older woman sleeping with her very young stepson, earned a more complicated reaction
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‘Last Summer’ Review: Catherine Breillat’s Scandal-Courting Drama Draws Yawns
Cannes 2023: Can a film without much spark really be said to fizzle?
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Cannes Day 10: ‘The Pot au Feu’ Makes Audiences Hungry and a Competition Controversy Erupts
Plus: Awards, acquisitions and the beginning of the final weekend
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‘Perfect Days’ Review: Wim Wenders’ Quiet Drama Finds a Hero Who Cleans Toilets
Cannes 2023: The veteran German director has crafted an endearing, admiring portrait of a decent man
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‘A Brighter Tomorrow’ Review: Nanni Moretti Returns to Cannes With His Tics and Obsessions Laid Bare
Cannes 2023: Farce is a comeback of sorts that could also serve as the director’s closing statement
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Cannes: Hong Sang-soo’s ‘In Our Day’ Nabbed by Cinema Guild
The filmmaker’s 30th film will debut theatrically later this year
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‘The Pot au Feu’ Review: Juliette Binoche and Benoit Magimel Shine in a Lush, Kitchen-Set Romance
Cannes 2023: Trần Anh Hùng’s period drama prefers steaks to stakes – and it’s an absolute delight
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Cannes Day 9: Wes Anderson’s ‘Asteroid City’ Gets Muted Response as Fest Winds Down
Plus, reviews for Pablo Berger’s animated tale “Robot Dreams” and true-story “Kidnapped”
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How Wes Anderson Created ‘Asteroid City’: Big Dinners, Music and a Helpful COVID Quarantine
Cannes 2023: “I don’t want to say (the pandemic) was good for the movie, but we used it in away that wasn’t bad,” Anderson said at Cannes
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‘Robot Dreams’ Review: A Beautiful Tale of Friendship and Love in the Hand-Drawn Streets of Vintage New York
Cannes 2023: Pablo Berger’s heartwarming animation is one of the most delightful films in this year’s lineup
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‘Kidnapped’ Review: A Bittersweet Tale of Childhood Resilience
Cannes 2023: The film doesn’t pit one faith against another, instead it sets individuals against larger institutions
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‘Asteroid City’ Review: Wes Anderson Buries His Sci-Fi Story Under Fancy Piles of Eccentricity
Cannes 2023: Anderson’s movie looks amazing, of course, but it might well be the least involving film he’s ever made
