Cannes Report
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Cannes Review: ‘Paradies: Liebe’ Is About Sex, But It’s Torture
Ulrich Seidl's Cannes drama reverses the gender dynamic on sexual exploitation and proves to be a draining experience
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Cannes 2012: Roman Polanski Tells His Story – ‘How Do You Like Me Now?’
If you didn’t like Roman Polanski before, you’re not going to like him any better after seeing him tell his life story in “Roman Polanski: A Film Memoir”
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Cannes 2012’s Female Troubles: Directors, Jurors Weigh In
"Men are fond of depth in women," an open letter to Cannes charges, "but only in their cleavage"
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Cannes 2012: Shiny Happy People, and Osama bin Laden
Day 2: The Cannes jury meets the press, and the potential acquisition of an Osama bin Laden movie could cause complications this fall
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Cannes Review: In ‘Rust and Bone’ Jacques Audiard Burrows in Soul of Trauma
Review: “Rust and Bone,” with Marion Cotillard, burrows deeply for those who've loved and lost, for the dreams we had we could never fulfill
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Sasha Stone -
Reese Witherspoon West Memphis Drama, ‘Devil’s Knot,’ Gets Worldview Financing
Worldview announced its backing of 'Devil's Knot' starring Reese Witherspoon and Colin Firth at the Cannes Film Festival on Thursday
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Cannes 2012: Eli Roth’s ‘Green Inferno’ Gets Financing From Worldview
Eli Roth, the “Hostel” horror maestro, has obtained financing for his latest thriller, “The Green Inferno,” from independent production company Worldview
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Cannes 2012: Paul Schrader To Write Kremlin-Financed Russian Ballerina Drama
Paul Schrader will write a Kremlin-financed project about Mathilde Kschessinska, a famed Russian ballerina who was mistress to the last Russian tsar
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Cannes 2012: ‘After The Battle’ Gets Inside Egypt’s Facebook Revolution
On opening day of Cannes, an intimate look at the revolution via a relationship between a woman and a man from the upper and lower class of Egypt
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Cannes Review: ‘Moonrise Kingdom’ Is Wes Anderson’s Ode to Arrested Development
"Moonrise Kingdom" is sometimes more style than substance, but it's also charming, occasionally moving and always engaging, as Wes Anderson films are wont to be
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Sacha Baron Cohen Brings His ‘Dictator’ Schtick to Cannes
The promotional stunts just keep on coming — ho hum — as Sacha Baron Cohen's character cavorts on a yacht and snarls traffic on the Croisette
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Sony Pictures Classics Nabs Rights to Susanne Bier’s ‘Love Is All You Need’
The Italian set drama stars Pierce Brosnan
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Fortissimo Films Acquires Terence Davies’ ‘Sunset Song’
The British director will follow up his acclaimed "The Deep Blue Sea" with this look at poverty in the 1930s U.K.
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Cannes 2012: Is It Harvey Weinstein’s Kingdom This Year?
Day 1: The Cannes Film Festival kicks off with Wes Anderson's "Moonrise Kingdom" and with the dominant presence of Harvey Weinstein
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Cannes 2012: It’s a Man’s World (But at Least That Man Isn’t Lars von Trier)
2012's Cannes Film Festival doesn't have a single female director in competition, but at least it'll be free of Lars von Trier's antics