Cannes Report
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Michael Shannon Bigfoot Dramedy ‘Pottersville’ Headed to Netflix for Streaming Rights (Exclusive)
Cannes 2017: No theatrical release partner set for film billed as “It’s a Wonderful Life” meets Sasquatch
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‘The Florida Project’ Cannes Review: Unruly Kids Steal the Show in Heartbreaking Drama
Director Sean Baker says he focused on children in a cheap Orlando motel to show the plight of the “hidden homeless”
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‘The Rider’ Cannes Review: Spectacular Rodeo Tale Is the Festival’s Sleeper Hit
Director Chloe Zhao shot her drama on a reservation in Montana, and cast real-life rodeo figures as versions of themselves
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Cannes, Day 6: Punk Rock Aliens Party at Grand Palais; Sean Baker’s ‘Florida Project’ Shines
Nicole Kidman and company go wild on the red carpet, “Tangerine” director packs a powerful follow-up
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Netflix Slays the Sacred Cows of Cannes – So What Comes Next?
The changes coursing through the entertainment industry are manifesting themselves at the film festival
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Cannes So Far: Movies Take a Back Seat to Netflix and Security
The 70th anniversary Cannes has delivered strong films, but nothing to seize the conversation away from the streaming giant and tech snafus
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Alejandro Inarritu’s VR Experience ‘Carne y Arena’ Shakes Up Cannes Viewers – If They Can See It
Shot by Emmanuel Lubezki, the installation is designed not to show off the technology, but to touch viewers emotionally
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Focus Features Reins in Matthias Schoenaerts, Jason Mitchell Drama ‘Mustang’
Cannes 2017: Laure de Clermont-Tonnerre will direct the feature
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‘The Meyerowitz Stories’ Cannes Review: Wow, Adam Sandler Might Actually Belong in Cannes
In another New York-set comedy from writer-director Noah Baumbach, Sandler holds his own alongside Ben Stiller, Emma Thompson and Dustin Hoffman
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‘Wind River’ Goes From the Snow in Sundance to the Beach at Cannes
A rare film to play Cannes after debuting at another festival, Taylor Sheridan’s drama with Jeremy Renner and Elizabeth Olsen held up well on the Croisette
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‘Redoubtable’ Cannes Review: Can a Sketch Comedy About Jean-Luc Godard Really Work?
Six years after winning Best Picture for “The Artist,” director Michel Hazanavicius plays to his strengths as a genre prankster
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Cannes: Evacuation Ordered at Second Largest Movie Theater
Salle Debussy Theater emptied out minutes before screening of Michel Hazanavicius’ “Redoubtable”
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Cannes, Day 4: First Palme d’Or Front-Runner; Ted Sarandos Surfaces; 2017’s ‘Toni Erdmann’
New AIDS drama primed for queer cinema canon, Netflix content chief survives the Croisette
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‘Promised Land’ Cannes Review: Elvis Presley, Meet Donald Trump
Eugene Jarecki’s bold documentary tells the story of Elvis’ rise and fall as a metaphor for America
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‘The Square’ Cannes Review: Swedish Satire Goes Ape, in the Best Way
Ruben Ostlund’s art-world story featuring Elisabeth Moss and Dominic West does a brilliant job of asking the director’s favorite question: “Aren’t we humans a sorry lot?”
