Cannes Report
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‘Girl’ Film Review: Transgender Teen Drama Is a True Cannes Discovery
Cannes 2018: The gentle but wrenching film about a teenager who “just wants to be a girl” is the first work from 26-year-old Belgian director Lukas Dhont
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‘Ash Is Purest White’ Film Review: The Characters Have Growing Pains, and So Does China
Cannes 2018: Like director Jia Zhang-Ke’s previous films, this one argues that China’s rapid economic rise has hardly benefited its numerous inhabitants
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Netflix Buys Animated Film ‘Next Gen’ for $30 Million
Cannes 2018: Voice cast includes Jason Sudeikis, David Cross, Michael Peña and Constance Wu
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Keanu Reeves Thriller ‘Siberia’ Picked Up by Saban Films
Cannes 2018: Matthew Ross directs crime thriller also starring Molly Ringwald
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‘Birds of Passage’ Film Review: You’ve Never Seen a Gangster Movie Like This Before
Cannes 2018: Ciro Guerra’s followup to the Oscar-nominated “Embrace of the Serpent” aims to expand the gangster genre
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Cannes Report, Day 3: Women Rule, ‘Cold War’ Hailed as ‘Best Film’ Yet
Ryan Coogler’s panel nabbed headlines while acquisitions are heating up
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Neon Picks Up Troll Love Story ‘Border’
Cannes 2018: Ali Abbas’ feature based on novel by author of “Let the Right One In”
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Bleecker Street Acquires Mads Mikkelsen Survival Drama ‘Arctic’
Cannes 2018: Director Joe Penna’s gripping story debuted at the festival this week
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Gerard Butler’s ‘Keepers’ Picked Up by Saban Films
Cannes 2018: Kristoffer Nyholm directed the film which also stars Peter Mullan and Connor Swindells
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‘Border’ Film Review: Are Moviegoers Ready for Hot, Hairy Troll Sex?
Cannes 2018: Director Ali Abbasi delivers a formidable load of WTF with a work that’s part horror film, part allegory about our fear of outsiders
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Cannes Confirms ‘Don Quixote’ for Closing Night, Praises Court Win: ‘Cinema Has Regained Its Rights’
On Wednesday, a judge dismissed a producer’s bid to stop the film from screening at the festival
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Sony Classics Picks Up Lebanese Director Nadine Labaki’s ‘Capernaum’
Cannes 2018: Film will screen in competition at festival next Thursday
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Cannes Report, Day 2: ‘Rafiki’ Makes History, ‘Don Quixote’ Scores Legal Victory
Plus, Marvel’s “Black Panther” screened at night with the beautiful backdrop of the beach
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‘Sorry Angel’ Film Review: AIDS Drama Explores the Quiet Places
Cannes 2018: Christophe Honoré’s willfully unsentimental character study is the flip side to last year’s grand prize winner, “BPM”
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‘Leto’ Film Review: Musical Biopic Is a Rock ‘n’ Roll Fever Dream
Cannes 2018: Russian director Kirill Serebrennikov tells the story of musician Viktor Tsoi in a way that is messy, surreal and ultimately moving
