Wrap Magazine
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Jana Schmieding on Her ‘Rutherford Falls’ Breakthrough: ‘It Took Another Native Woman to See My Value’
TheWrap magazine: “Most of the time, indigenous folks on television or in film are relegated to what we call ‘feathers and leather,’” says the Native writer and actress
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How Renee Elise Goldsberry Embraced Her Inner Diva for ‘Girls5Eva’
TheWrap magazine: “Every moment of my life, I can relate to the part of Wickie that craves stardom and the fulfillment of her dream,” says the “Hamilton” actress
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How ‘Silence of the Lambs’ Inspired Elisabeth Moss’ Directing in ‘Handmaid’s Tale’
TheWrap awards magazine: “The top of Episode 9 is a complete rip-off of Barry Jenkins and Jonathan Demme,” Moss says
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How Comedy and Drama Series Races Stack Up as Emmy Nomination Voting Begins
TheWrap magazine: Lots of past nominees are ineligible this year — but the categories are still jammed with contenders
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TV’s Breakout Comedy Stars on Pandemic Humor and Cancel Culture
TheWrap magazine: Hannah Einbinder, Maya Erskine, Charlotte Nicdao and Punam Patel talk about entertaining viewers — and themselves — during a difficult time
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Was Kenny Leon’s Job Directing ‘Mahalia’ a Good Assignment or Divine Inspiration?
TheWrap magazine: The veteran director isn’t sure, but he’d been listening to Jackson’s music every single day before he got the call to direct the Lifetime movie
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How Krysta Rodriguez Learned to ‘Pump Up the Liza’ for ‘Halston’
TheWrap magazine: “When I got the script, I thought, this is either something that changes my life or breaks my heart,” says the actress of portraying Liza Minnelli
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How Daveed Diggs Found Common Ground Between Frederick Douglass and Modern Rappers
TheWrap awards magazine: ‘We have a similar understanding of what it’s like to mine your past for your fame in the present,” Diggs says of his role as abolitionist Douglass in “The Good Lord Bird”
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How ‘Underground Railroad’ Creator Barry Jenkins Got Permission for That Childish Gambino Needle Drop
TheWrap awards magazine: Jenkins, Thuso Mbedu and William Jackson Harper discuss exploring the reverberations of history for Amazon drama
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Why the Music Doc Series ‘1971’ Wasn’t Just About Music
TheWrap magazine: Director Asif Kapadia says. “It’s not, ‘Listen to this piece of music, and then this one’ — what’s the bigger picture around it?”
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Why ‘City So Real’ Docu-Series Director Steve James Went Back to Chicago to Shoot One More Episode in 2020
TheWrap magazine: “Television needs to play a role in connecting people more to the world we live in,” the award-winning filmmaker says
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‘RuPaul’s Drag Race’ EP on Adapting to COVID and Evolving the Show With the Times
TheWrap magazine: “It’s been 13 years, and we have to pinch ourselves sometimes because the world has changed so much,” Tom Campbell says
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Why Giancarlo Esposito Thinks His Career (and TV Itself) Got Better During the Pandemic
TheWrap Magazine: “Television has become much more personal because we finally learned how to use our remotes the last year,” says Esposito
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How ‘Bridgerton’ Team Is Creating ‘Grand and Beautiful’ Season 2 Without Regé-Jean Page
TheWrap magazine: “It’s a different and exciting way for us to have the opportunity to tell the story,” executive producer Betsy Beers says
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‘The Crown’ Star Emma Corrin on Prince Harry and Meghan Markle Watching Her Play Princess Diana
TheWrap magazine: “Personally, I try not to engage with it because I feel like it’s a slippery slope,” Netflix star says
