Report From Venice
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‘The Sisters Brothers’ Film Review: John C. Reilly and Joaquin Phoenix Saddle Up for an Extraordinary Western
Venice 2018: Jake Gyllenhaal and Riz Ahmed co-star in this funny, tragic, intimate epic from Jacques Audiard (“A Prophet”)
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‘The Ghost of Peter Sellers’ Film Review: A Troubled, Barely-Seen Comedy and Its Erratic Star
Venice 2018: Peter Medak I”The Ruling Class”) seems to have made this doc to let himself off the hook for past failure
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Venice Film Festival Signs Pledge to Address Gender Disparity
La Biennale follows the Cannes, Locarno and Sarajevo film festivals in signing pledge
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Sony Pictures Classics Acquires Florian Henckel von Donnersmarck’s ‘Never Look Away’ Ahead of Venice
SPC also released German filmmaker’s Oscar-winning debut, “The Lives of Others”
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‘First Reformed’ Film Review: Paul Schrader and Ethan Hawke Channel Robert Bresson
Hawke’s tormented cleric is part Bresson’s anti-hero, part Travis Bickle
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‘Lean on Pete’ Review: Andrew Haigh’s Boy-and-His-Horse Tale Hits Hard
European director’s U.S. debut embraces both spacious skies and American miserabilism
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‘Downsizing’ Review: Matt Damon Is the Incredible Shrinking Everyman
Venice 2017: Alexander Payne’s sci-fi comedy examines the human condition in both the macro and the micro
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‘The Shape of Water’ Film Review: Guillermo del Toro’s Glorious Romance Blends Horror and Delight
Sally Hawkins and Doug Jones are swoon-worthy as a star-crossed, human-amphibian couple
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‘Three Billboards Outside Ebbing, Missouri’ Movie Review: Frances McDormand Is Bloody Funny
McDormand is a force of nature in Martin McDonagh’s black comedy set in small-town America
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‘Suburbicon’ Review: George Clooney Overplays His Hand With Grotesque ’50s Noir
Venice Film Festival: The mid-century design succeeds where the satire and thriller elements fail
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‘Victoria & Abdul’ Review: Judi Dench’s Queen Victoria Keeps This Smarm-ada Afloat
Stephen Frears traffics in cutesy colonialism but the film offers up all the colors in Dame Judi’s paintbox
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Guillermo del Toro’s ‘The Shape of Water’ Wins Golden Lion at Venice Film Festival
Samuel Maoz’ “Foxtrot” takes home Grand Jury Prize
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‘Our Souls at Night’ Review: Jane Fonda and Robert Redford Play Nice People in a Nice Romance
Venice: This Netflix drama plays it safe, but the leading players have as much chemistry as ever
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‘The Devil and Father Amorth’ Review: William Friedkin Tackles Satan Again, This Time Awkwardly
Venice: The “real-life exorcism” in this hand-held doc plays as phony and/or exploitative
