Report From Venice
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‘An Officer and a Spy’ Review: Roman Polanski Is No Emile Zola in This Listless Retelling of the Dreyfus Affair
Venice 2019: Any controversy over the director’s choice of subject is dissipated by the tepid results
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‘The Truth’ Film Review: Catherine Deneuve and Juliette Binoche Grapple With Honesty and Each Other
Venice 2019: Hirokazu Kore-eda’s first non-Japanese film captures a mother-daughter relationship fraught with resentments
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Venice 2019 Line-Up Reminds Us Gender Equality Has a Long Way to Go (Commentary)
Women go underrepresented in competition at a festival that found room for Roman Polanski and Nate Parker
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Nate Parker’s ‘American Skin’ Added to Venice Film Festival Slate
The L.A.-set drama is Parker’s first feature since 2016’s “The Birth of a Nation”
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Venice Festival Juror Jennifer Kent Disappointed by Lack of Female Directors in Competition This Year
“I hoped there would be more,” the Australian director of “The Nightingale” says
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Venice Film Festival Lineup Sparks Backlash: Only 2 Female Directors but New Roman Polanski Film
“1 rapist. 2 women directors in competition #Venezia76. What else am I missing?” Women and Hollywood’s Melissa Silverstein tweets
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Catherine Deneuve Drama ‘The Truth’ to Kick Off Venice Film Festival
Film is first that Japanese director Kore-eda Hirokazu has made outside his home country
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‘Non-Fiction’ Film Review: Olivier Assayas Comically Mourns the Death of Literature
Venice 2018: Juliette Binoche co-stars in this witty drama that does for print what “Summer Hours” did for art
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‘Roma’ Film Review: Alfonso Cuarón’s Intimate Epic Proves Less Is More
This intimate tale of a housekeeper in early-70s Mexico proves the “Gravity” director doesn’t need a sprawling canvas to tell a powerful story
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‘The Favourite’ Film Review: Emma Stone Plays an 18th Century Eve Harrington in a Twisted Historical Farce
Venice 2018: Olivia Colman’s needy, vulnerable Queen Anne steals the show in the latest from Yorgos Lanthimos (“The Killing of a Sacred Deer”)
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‘At Eternity’s Gate’ Film Review: Willem Dafoe Brushes With Brilliance in Van Gogh Biopic
Dafoe gives a towering performance in Julian Schnabel’s sensitive but unconventional film
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‘The Ballad of Buster Scruggs’ Film Review: Coen Brothers Western Anthology Makes for an Uneven Binge
This omnibus film is an entertaining fribble that peaks early
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‘The Other Side of the Wind’ Film Review: Orson Welles’ Final Film Is Worth the Wait
Lovingly assembled after 40 years, the master’s swan song is a winking satire drawing on his own love-hate relationship with Hollywood
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‘Suspiria’ Film Review: Luca Guadagnino’s Misguided Horror Remake Falls Flat
Despite Dakota Johnson and Tilda Swinton’s best efforts, this remake is crammed with too many aimless ideas and not enough scares
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‘A Star Is Born’ Film Review: Bradley Cooper and Lady Gaga Reinvigorate a Classic
Venice 2018: First-time director and first-time leading lady breathe new life into a Hollywood mainstay
