Report From Venice

Venice Film Festival 2022: Director Andrew Dominik pivots between the nightmare of fame and hooray-for-Hollywood grandeur with surrealist flair

Venice Film Festival 2022: The latest from Kôji Fukada (“A Girl Missing”) finds emotional power and interactivity in cramped and often silent spaces

Venice 2022: The Filipino director, known for his lengthy running times, crafts a tale of two policemen at odds with stronger visuals than dialogue

Venice Film Festival 2022: The children and co-stars of the legendary movie star, musician and drunkard all have stories to tell about the screen icon

Venice Film Festival 2022: The “Hoop Dreams” director sheds a light on Ted Hall, who shared atomic secrets with the USSR, but places his acts in the context of the USA’s post-war nuclear ambitions

Masaaki Yuasa blends genres and ideas in a brilliantly intense and unhinged animated feature

This tale of maternity gives you the melodrama and art-direction you expect from the Spanish auteur, but with a provocative and unpredictable spin

The “Great Beauty” director clearly wants his own “Amarcord,” but he seems to lack a point of view about his own origins