Report From Venice
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‘Saint Omer’ Review: White Supremacy in France Takes the Stand in Murder Trial
Documentarian Alice Diop makes a riveting fiction debut with this courtroom drama of a Senegalese woman on trial for infanticide
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‘The Whale’ Review: Darren Aronofsky Handles a Heavyset Character With a Heavy Hand
This claustrophobic adaptation of a play simultaneously feels like a departure and entirely of a piece with his filmography
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‘Bardo’ Review: Iñárritu Uses History, Humor and Surrealism to Dissect Mexico, and Himself
The Oscar-winning auteur’s most ambitious film yet pulls no punches in his exploration of his homeland and his own life
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‘All the Beauty and the Bloodshed’ Review: Stirring Doc Intertwines the DNA of Nan Goldin’s Art and Activism
Laura Poitras’ Golden Lion–winner tracks the artist’s life and her commitment to taking on the Sackler family’s presence in the museum world
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‘The Eternal Daughter’ Review: Tilda Swinton Plays Mother and Daughter in Ghostly ‘Souvenir’ Sequel
Venice Film Festival 2022: Swinton takes over the role of stand-in for director Joanna Hogg while still playing the matriarch in this haunting look at parent-child bonds
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‘White Noise’ Review: Adam Driver Fears Death in Noah Baumbach’s Don DeLillo Adaptation
The “Marriage Story” filmmaker’s reverent, stylish tribute to a great comic novel about American panic isn’t always the post-pandemic release you need, but it entertains
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‘The Kingdom Exodus’ Review: Lars von Trier Goes Full Meta With the Return of His Creepy Hospital Drama
Like David Lynch before him, von Trier waited a quarter-century to return to his disturbing TV project
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‘Bones and All’ Review: Timothée Chalamet Makes Sparks Fly and People Die in Cannibal Road Movie
Luca Guadagnino’s film feels like a mad science experiment to see if “Raw” can coexist with “Badlands” in the body of a gooey Young Adult love tale
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‘TAR’ Review: Cate Blanchett Is at Her Peak in Razor-Sharp Character Study
Todd Field’s drama engages playfully and provocatively with hot-button topics as Blanchett delivers yet another fiery performance
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‘Argentina, 1985’ Review: Advocates and Activists Fight to Reveal the Nation’s Painful Past
Santiago Mitre doesn’t rewrite the historical drama, but his courtroom procedural on the Trial of the Juntas is an effective crowd-pleaser
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‘The Banshees of Inisherin’ Film Review: Colin Farrell and Brendan Gleeson Are Back for More Twisted, Feckin’ Fun
Director Martin McDonagh has reunited the stars of “In Bruges” for a quieter film that’s still a disturbed delight
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‘Dead for a Dollar’ Review: Walter Hill Captures the Best and Worst of Low-Budget Westerns
The film’s handful of grace notes are overpowered by lots of cut-short scenes that seem to signal the director’s impatience
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‘Athena’ Review: Romain Gavras Captures French Police Brutality With Visceral Power
The story of a clash between cops and the Middle Eastern community calls to mind co-writer Ladj Ly’s recent “Les Misérables”
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‘Don’t Worry Darling’ Review: Florence Pugh Shines as Olivia Wilde Provokes
Pugh and Harry Styles star in Wilde’s satiric and somewhat frantic psychological thriller
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‘Pearl’ Film Review: Stunning Prequel Makes ‘X’ Even Better Than It Already Was
Mia Goth (who co-wrote with director Ti West) gives a sad, scary performance that deepens the character and her saga