Report From Sundance
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Lionsgate and Roadside Attractions Take ‘Margin Call’
J.C. Chandor’s thriller stars Oscar winners Kevin Spacey and Jeremy Irons
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Simple and Powerful ‘Like Crazy’ – the Best of Sundance
Sometimes you remember why Sundance can be special. “Like Crazy,” by writer-director Drake Doremus, provided one of those moments
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Sundance Review: Tom McCarthy’s ‘Win Win’ a Huge Win for Fox Searchlight
Paul Giamatti and Amy Ryan are excellent, but Bobby Cannavale steals the movie and Alex Shaffer's makes an impressive debut
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Kevin Smith’s ‘Red State’ Ticket Auction Nets $1,000 for Sundance Institute
The lucky bidder won 2 tickets to World Premiere and after-party, plus a ride on the filmmaker’s bus
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Sundance 2011: ‘These Amazing Shadows’ Producer Lights Up Park City and Millions at Home
Producer Christine O’Malley’s doc about National Film Registry, which premieres at Sundance and on VOD, is the result of some tough industry lessons and hard realities
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Sundance Deals: Buzz But No Money Yet (updated)
The buyers are here – it’s their market – but they haven’t pulled out their checkbooks yet
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A Breakout Star at Sundance – Lizzie Olsen, Sister of Those Twins
The younger sister of Mary Kate and Ashley is winning raves for two intense performances at Sundance
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Exclusive: ‘Crazy Heart’s’ Scott Cooper to Direct ‘The Pale Blue Eye’
Peter Chernin’s company Chernin Entertainment is producing the drama, which is in development at Fox 2000
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Good Afternoon, Sundance: Lights, Crowds, Action
Buyers and riff raff are back, “Margin Call” causes a crush, and Robert Redford admits he’s going to die one day
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Sundance Review: ‘Margin Call’ Has Great Cast But Too Much Insider Trading
Kevin Spacey, Jeremy Irons and Stanley Tucci strong in fast-paced Wall Street drama detailing 2008 crash
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Universal Picks Up Wikileaks Documentary
Academy Award-winner Alex Gibney will direct; former studio chairman Marc Shmuger will co-produce
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Sundance 2011 Opens with Personal ‘Pariah’: Black, Lesbian, Coming of Age
The festival opened on Thursday night with the kind of personal film that usually gets buried
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Sony Acquires Rights to Sundance Hit ‘Animal Kingdom’
Australian crime drama from first-time director David Michôd
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Last Official Deal of Sundance: ‘The Freebie’ Goes to Phase 4
Studio picks up North American rights to romantic comedy for mid-six figures
By
Wrap Staff -
With No Sundance Breakout, Indie’s Weakness is Exposed
The landscape looks fragmented and confused. And that YouTube experiment? Failed
By
Eric Kohn and Sharon Waxman