Office With a View
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Influencers in Unscripted TV Are ‘New Voices’ INE Entertainment Bosses Seek: ‘There Are Changes Afoot’
Office With a View: Mark Koops and Eric Day unpack how streaming has impacted the genre and what shifts they anticipate next
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Olivia Charmaine Bernardez’s Black Monarch Entertainment Is Embracing Art and Activism With Netflix Deal
Office With a View: The CEO of the production hub explains the struggles of animation and creating “timeless” children’s entertainment
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Jason and Travis Kelce’s ‘New Heights’ Producer Embraces Social Media to Turn Athletes Into Stars
Office With a View: Brian Verne and Mack Sovereign’s original programming at Wave Sports + Entertainment accumulated 12.6 million followers in 2023
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‘Barbie’ Soundtrack Reinvigorated Music in Movies and Reminds Studios ‘How Effective’ a Song Can Be, Thrive Exec Says
Office With a View: President of licensing and soundtracks Jason Bentley previously supervised soundtracks for “The Matrix,” “Tron: Legacy” and more
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Paramount Streaming Exec Domenic DiMeglio Explains How Paramount+ Capitalized on New Subs After Super Bowl
Office With a View: The CMO and head of data tells TheWrap how plans for the 2024 Super Bowl began an entire year before the big game
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Pinky Promise Films CEO Isn’t Interested in Producing a ‘Hollow Version of Somebody Else’s Ideal’
Office With a View: “What people are looking for changes like the wind,” the indie company’s president Kara Durrett tells TheWrap
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‘Smart’ Companies Know They Can’t Succeed Without DEI, NAACP’s Karen Boykin-Towns Says
Office With a View: The board of directors VP previews how the org’s Image Awards are being made into a cultural experience
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POV Entertainment President Layne Eskridge Explains How Freedom Fuels Innovative Storytelling
Office With a View: The executive walks through her move from Netflix to steering woman- and POC-led stories at POV
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SAG Awards EP Predicts First Netflix Live Stream Will ‘Really Change’ How Future Shows Are Produced
Office With a View: Silent House founder Baz Halpin also details working on “Taylor Swift: The Eras Tour” and Usher’s Super Bowl performance
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Brent Magid Says Hollywood ‘Can’t Just Create From a Spreadsheet’ – but Consumer Data Is Still ‘Crucial’
Office With a View: Focusing on what audiences have already done is “only part of the picture,” the research executive tells TheWrap
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‘May December’ Producer LB Entertainment Shepherds Indie Successes by Taking Chances
Office With a View: Founder Lee Broda tells TheWrap about balancing her creative and corporate sides
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Magilla Entertainment Reality Producers Look for Promising Talent With ‘Big Personality’ and ‘Unique Skill’
Office With a View: Laura Palumbo Johnson and Matt Ostrom detail how they lean into natural drama to avoid feeling fake
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MediaRadar CEO Says the Dot-Com Bubble Bettered Him as a Leader: ‘Went in With My Eyes Open’
Office With a View: Todd Krizelman reveals what he learned from the failings of theGlobe.com for his 17-year-strong media analysis venture
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Queer Producers Fenton Bailey and Randy Barbato Grew Streamer WOW Presents Plus by Gut Checks Not Algorithms
Office With a View: The prolific indie producers of “RuPaul’s Drag Race” create a “fundamentally different space” on their streamer
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Netflix VP Says Sports Programming Game Plan Is About ‘Access and Authenticity’
Office With a View: “We’re not anti-sports, we’re pro-profits,” Gabe Spitzer says of the prospect of live sports, echoing co-CEO Ted Sarandos
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