Wrap Magazine (Awards)
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‘Everything Everywhere All at Once’: How Costume Designer Shirley Kurata Outfitted the Multiverse
TheWrap Magazine: The designer drew from Michelle Yeoh’s filmography, Japanese fashion, sci-fi films and more to dress the breakout indie hit
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How ‘Women Talking’ Turned a Hayloft Into a ‘Sacred Space’
TheWrap magazine: “We talked a lot about the idea of a cathedral,” says director Sarah Polley
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The Making of ‘Avatar: The Way of Water’
For TheWrap magazine, James Cameron and his collaborators pull back the curtain on how they crafted the innovative sequel
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The Challenge of Creating the Look of ‘Avatar: The Way of Water’: ‘It’s Designing an Entire Universe’
TheWrap magazine: “The tactical and logistical details were unbelievably difficult to figure out,” says production designer Dylan Cole
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By Steve Pond -
Inside the Complexity of Editing ‘Avatar: The Way of Water’
TheWrap magazine: “Every sequence is at the highest level of difficulty,” says editor Stephen Rivkin
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Every ‘Avatar: The Way of Water’ Costume Was Made in Real Life Before Being Scanned Into a Computer
TheWrap Magazine: Costume Designer Deborah L. Scott explains why it was crucial to create every piece of clothing and jewelry in physical form
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‘Avatar: The Way of Water’ VFX Team Reveals the Secret to One of the Film’s Most Eye-Popping Shots
TheWrap Magazine: The “Avatar” sequel’s VFX team explains how live-action photography was used in a shot of Jake Sully gripping a leather strap
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How Jazzman Terence Blanchard Channeled His Grandmother to Score ‘The Woman King’
TheWrap magazine: “People have been waiting to see a film done about this part of the world with such majesty and elegance”, says the two-time Oscar nominee
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Why ‘Freedom on Fire’ Director Evgeny Afineevsky Felt He Had to Make a 2nd Doc About Ukraine
TheWrap magazine: “If we close our eyes to the crimes and the Russian leadership goes unpunished, then who knows what is next?” he says
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‘The Blue Caftan’ Faces Morocco’s Ultimate Taboo in Portraying a Queer, Closeted Craftsman
TheWrap magazine: Director Maryam Touzani says that shooting a film that talks about homosexuality was “a big, big risk”
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‘The Blue Caftan’ Filmmaker Maryam Touzani Hopes to Represent Morocco at This Year’s Oscars (Exclusive Photos)
TheWrap spotlight’s her award-winning film in this year’s International issue
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Photographed by Monika Sed for TheWrap -
‘EO’ Director Had a Secret Weapon to Coax a Great Performance From a Donkey – Carrots
TheWrap magazine: “In difficult moments, carrots work miracles,” 84-year-old Polish auteur Jerzy Skolimowski says
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‘Argentina, 1985’ Director Santiago Mitre and Star Ricardo Darín Play It Cool (Exclusive Photos)
The Argentinian talents pose for our International Awards issue
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Photographed by Chris Loupos for TheWrap -
‘Holy Spider’ Director Ali Abbasi, Star Zar Amir Ebrahimi Rep Denmark in Our International Awards Issue (Exclusive Photos)
The gritty thriller set in the holy Iranian city of Mashhad has earned them both raves
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Photographed by Ian Spanier for TheWrap -
‘Argentina, 1985’ Asks a Timely Question: How Fragile Is Democracy?
TheWrap magazine: “There was a lot of mistrust, a lot of misinformation, a lot of skepticism in the air,” says actor Ricardo Darín of the case study behind Argentina’s Oscar entry