Wrap Magazine (Awards)
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‘Godzilla Minus One’ Director ‘Flattered and Honored’ by Historic Oscar Nomination: ‘It Means So Much’
TheWrap magazine: Takashi Yamazaki is the first director nominated for Best Visual Effects since Stanley Kubrick in 1969
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Jeffrey Wright Says He’s ‘Grateful’ the Director of ‘American Fiction’ Didn’t Want Anyone Else in the Lead Role: ‘No Plan B’
TheWrap magazine: Despite being sent a list of Hollywood actors for his feature directorial debut, Cord Jefferson said he “just knew” Wright was the only one for the role
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Annette Bening Relished the Physical Hurdles of ‘Nyad’: ‘That’s What We Love to Do as Actors’
TheWrap magazine: The actress talks about the challenges of the role and the surrounding controversy
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Why the Success of ‘The Boy and the Heron’ May Lead to Another Miyazaki Movie
TheWrap magazine: “If this film becomes a major hit, then he may make another film,” says producer Toshio Suzuki
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‘The Color Purple’: How Nova Wav’s New Song Kept the Broadway Beat
TheWrap magazine: The Grammy-winning duo talks about “Keep on Movin,’” one of the new songs in the long-awaited musical Christmas release
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How Some Film Schools Are Getting More ‘Woke’ – and Why Professors Find It ‘Kind of Wonderful’
TheWrap magazine: Administrators from top film schools weigh in on how to teach films with problematic legacies like “Gone With the Wind”
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TheWrap’s Top 50 Film Schools for 2023
TheWrap magazine: Whether you thrive on NYC energy, SoCal sunshine or pretty much anything in between, there is a film school for you
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How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’
TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education
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Dominique Fishback Says ‘Swarm’ Had Her Doing Things ‘That I’ve Never Done Before’
TheWrap Magazine: The first-time Emmy nominee didn’t know what to expect playing a Black, female serial killer on the Prime Video limited series
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Riley Keough Reveals What Made Her Stay on ‘Daisy Jones,’ Even When She Wanted to Quit
TheWrap magazine: “I think something in me knew that it would be a healing experience,” the Emmy-nominated actress says
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Why ‘Ms. Marvel’ Composer Laura Karpman Spearheaded South Asian Music’s Entrée Into the MCU
TheWrap magazine: “It’s good to make [South Asian music] a part of the Avengers, a part of the world of Captain Marvel or the Guardians of the Galaxy,” the Emmy-winning musician says
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Kumail Nanjiani and Annaleigh Ashford Find Levity in the Darkness of ‘Welcome to Chippendales’
TheWrap magazine: The costars snagged two of the five surprise nominations for Hulu’s limited series about the founder of the famous male strip club
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‘Dahmer – Monster: The Jeffrey Dahmer Story’ Cements Niecy Nash-Betts as a Drama Star
TheWrap magazine: Following her nomination, the actress talks about spotlighting the “overlooked and underserved” Glenda Cleveland with Ryan Murphy’s Netflix series
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For ‘Andor’ Star Diego Luna, Being a Producer Was a Dealbreaker: ‘I Want to Be There When My Opinion Matters’
TheWrap magazine: “There’s no project I’ve been part of where I feel the team cares so much about what we’re doing,” the actor/producer said
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How ‘Queen Charlotte’ Costumes Pulled Inspiration From the Met Gala
TheWrap magazine: Lyn Paolo and Laura Frecon drew from fashion’s annual gala of extravagance to create the looks for Netflix’s “Bridgerton” spinoff