Wrap Magazine (Awards)
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How Oscar Voters Could Make the Best Picture Category Even Weirder This Year
Expanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given
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‘My Sunny Maad’: Making an Animated Film That Doesn’t Feel Like Animation
TheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova
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Why ‘C’mon C’mon’ Director Didn’t Want Lead Male Character to Be ‘A Bad Person’
TheWrap magazine: “I see so many dumb, bad, negative men…I wanted him to be more like people I know,” Mike Mills says
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Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers
TheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar
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How ‘Belle’ Created a Great Animated Scene by Holding a Single Shot (Video)
TheWrap magazine: Director Mamoru Hosoda breaks down the movie’s most unforgettable sequence
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How ‘Passing’ Star Tessa Thompson Explored the Many Layers of Identity
TheWrap Magazine: She’s been in franchises from “Creed” to “Thor,” but Tessa Thompson found herself in new territory with her latest film
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Missy Schwartz | Photographs by Matt Sayles -
‘Passing’ Star Tessa Thompson Covers TheWrap Magazine (Exclusive Photo Gallery)
The actress glams up for exclusive portraits for TheWrap
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Photographed by Matt Sayles for TheWrap -
‘Encanto’: How ‘Dos Oruguitas’ Was Brought to Life
TheWrap magazine: The filmmakers behind the Disney hit say the touching number was originally part of the prologue
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Drew Taylor -
How ‘Foundation’s VFX Supervisors Battled COVID-Induced Labor Shortages to Conjure New Worlds
TheWrap Magazine: Visual effects supervisors Chris MacLean and Michael Enriquez underline a unique challenge the Apple TV+ series faced
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‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.
TheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California
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How a Bathroom Break Was a Key to the Design of ‘The Green Knight’
TheWrap magazine: Designer Jade Healy says she’s thankful for what the film’s D.P. found when he took a leak in the woods
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The Hardest Costume Design Challenge on ‘Cyrano’ Had Nothing to Do With the Lead Character
TheWrap magazine: “They are the aliens of the 1700s,” says costume designer Massimo Cantini Parrini of the characters that caused him “a great deal of suffering”
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‘Cruella’ Costume Designer Jenny Beavan on Crafting That Iconic Dress
Outfitting one of the greatest villains ever is no easy feat
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The Big Design Challenge for ‘Licorice Pizza’: Find 1970s L.A. in the 2020s
TheWrap magazine: “We were looking for pockets where people hadn’t demolished their ranch houses to build white modern monstrosities,” production designer Florencia Martin says
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‘Spencer’ Costume Designer Raves About Kristen Stewart: ‘Do People Not Realize She’s One of the Great Actresses?’
TheWrap magazine: “Kristen is not recognized enough for what daring choices she makes,” says two-time Oscar winner Jacqueline Durran














