Emmys
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How ‘Queen Charlotte’ Costumes Pulled Inspiration From the Met Gala
TheWrap magazine: Lyn Paolo and Laura Frecon drew from fashion’s annual gala of extravagance to create the looks for Netflix’s “Bridgerton” spinoff
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Why Kathryn Hahn’s ‘Tiny Beautiful Things’ Role ‘Really Did Feel Like an Act of Service’
TheWrap magazine: The actress describes how the messiness of her Emmy-nominated role drew her to the Hulu adaptation
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Why ‘Daisy Jones & the Six’ Included Songs by Industry Legends Like Barry Manilow and Patti Smith
TheWrap magazine: “We wanted to show that there were so many different genres of music in the ’70s,” music supervisor Frankie Pine says
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Wolf Blitzer and Barbara Kopple to Be Honored at 2023 News & Documentary Emmy Awards
The CNN veteran and the Oscar-winning documentarian will receive NATAS’ Lifetime Achievement Honors in September
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‘Bad Sisters’ Director Shares the Key to Finding Its Tone: ‘It’s a Drama With Jokes’
TheWrap magazine: “Five Irish sisters who plot to murder their brother-in-law… What’s not to love?” Dearbhla Walsh tells TheWrap
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Melanie Lynskey Doesn’t Care About ‘The Last of Us’ Fan Backlash to Her Character: She ‘Wasn’t in the F–king Game’
TheWrap magazine: Double-nominated for her turns on “Yellowjackets” and “The Last of Us,” the likably candid New Zealand actress has no problem tackling less-endearing characters
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Meet the Married Prosthetic Whiz Team Behind HBO’s ‘House of the Dragon’ and ‘The Last of Us’
TheWrap magazine: “We see each other every single minute of the day… it’s testament to a really good partnership that we haven’t killed each other yet,” says prosthetic makeup artist Barrie Gower
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Why Jessica Chastain Prefers ‘Sadness and Pain’ to Feminine Perfection
TheWrap magazine: “I love playing women who make mistakes, who do complicated things,” she says of playing Tammy Wynette in “George & Tammy”
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How HBO’s ‘A Black Lady Sketch Show’ Created 40-Plus Backdrops for Its Final Season
Production designers Cindy Chao and Michele Yu are vocal about wanting that challenge back: “I know we still have a lot more in us,” Chao says
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Norman Lear: Emmy Voters Are Still Paying Attention to the 101-Year-Old Master
TheWrap magazine: “Norman Lear: 100 Years of Music & Laughter” was designed as “the celebration of a life well lived,” executive producer Brent Miller says
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How Jessica Chastain Convinced ‘George & Tammy’ Costar Michael Shannon to Take His First Emmy-Nominated Role
TheWrap magazine: “Jessica fought to get me in there after there was a vacancy,” Shannon said, “because I think some of the powers that be were like, ‘Can we get somebody a little more…whatever?’”
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‘Succession’ Composer Nicholas Britell Says Scoring Logan Roy’s Death ‘Was Unlike Anything I’ve Done’
TheWrap magazine: The three-time Emmy nominee (also of Disney+’s “Andor”) tells TheWrap about avoiding the shadow of John Williams and more
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‘Beef’ Breakout Young Mazino Says Emmy Nomination a Good Sign for Hollywood’s AAPI Efforts
TheWrap magazine: “Hopefully this empowers [this community] to realize that everyone has just as much of a right to be present in these kinds of awards,” the first-time nominee says
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‘The Last of Us’ Co-Creator Craig Mazin Received a ‘Mind-Blowing’ Congratulatory Letter From Steven Spielberg
TheWrap magazine: The co-showrunner says no one involved in the HBO series expected a whopping 24 Emmy nominations
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How ‘Jury Duty’ Concocted Its Pitch-Perfect Bromance With the Help of James Marsden
Casting director Susie Farris knows she struck gold by getting the Emmy-nominated actor to improv off of the comedy’s unsuspecting star, Ronald Gladden
