William Bibbiani is a professional film critic and member of the Los Angeles Film Critics Association (LAFCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. He also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on Twitter (and various other social medias) at @WilliamBibbiani.
Experience:
-
‘The Exorcism’ Review: The Power of Crowe Compels You
Russell Crowe gives his best performance in years as an actor overwhelmed by inner and outer demons
-
‘Touch’ Review: Baltasar Kormákur Takes a Walk on the Mild Side
Pálmi Kormákur and Kōki costar in a quiet, sweet romance that takes place in two time periods: 50 years ago and during the COVID lockdown
-
‘Inside Out 2’ Review: Anxiety Attacks in a Mature, Sensitive Pixar Sequel
The worthy but inconsistent follow-up to the animated classic adds Maya Hawke and Ayo Edebiri to the cast of emotions
-
‘The Cranes Call’ Review: Documentary’s Hunt for Russian War Criminals Is the Stuff of Studio Thrillers
Tribeca 2024: Laura Warner’s film follows criminal investigators with a riveting cinematic flare
-
‘Diane von Fürstenberg: Woman in Charge’ Review: Believe It or Not, She Really Did All of This
Tribeca 2024: An overpowering documentary about the fashion icon who once reinvented the dress and repeatedly reinvented herself
-
‘Outstanding: A Comedy Revolution’ Review: Netflix Doc Is an Epic Chronicle of Trailblazing Queer Stand-Up
Tribeca 2024: An ambitious, informative film unites Lily Tomlin, Margaret Cho, Sandra Bernhard, Robin Tyler and many more
-
‘Linda Perry: Let It Die Here’ Review: Iconic ‘What’s Up’ Musician Screams From the Top of Her Lungs
Tribeca 2024: Don Hardy directs an intensely vulnerable documentary about Perry’s life and career
-
‘The Watchers’ Review: Ishana Shyamalan’s Debut Is Big on Talk, Low on Shock
Dakota Fanning stars in a supernatural thriller with an unnatural emphasis on exposition and rules
-
‘Longing’ Review: Richard Gere Investigates His Dead Son in an Off-Putting, Uncomfortable Remake
Diane Kruger costars in a creepy film about creepy attachments that doesn’t seem to know how creepy it is
-
‘Tuesday’ Review: Julia Louis-Dreyfus Kills It in Grim Modern Fable
Daina O. Pusíc’s debut feature is a magical, melancholic tale of Death personified.
-
‘Summer Camp’ Review: Diane Keaton and Kathy Bates Revisit the Glory Days in Low-Stakes Comedy
Alfre Woodard, Eugene Levy and Dennis Haysbert costar in this breezy “reducing of age” film
-
‘Young Woman and the Sea’ Review: Daisy Ridley Breaks Swimming Barriers in Biopic That Channels Greatness
This is an old-fashioned, first-rate Disney crowdpleaser from director Joachim Rønning
-
‘Atlas’ Review: Jennifer Lopez Stars in Artificial, Unintelligent Sci-Fi Thriller
Brad Peyton’s middling mech suit-‘em-up for Netflix costars Sterling K. Brown and Simu Liu
-
‘Garfield: The Movie’ Review: An Animated Adventure With More Heart (and Lasagna) Than Laughs
Chris Pratt and Samuel L. Jackson star in the first halfway decent movie based on the classic comic strip
-
‘The Strangers: Chapter 1’ Review: Tamara Isn’t Here, and Neither Are the Scares
Renny Harlin’s reboot of the classic horror thriller asks the question, “What if it was really bad?”
