William Bibbiani is a professional film critic and member of the Los Angeles Film Critics Association (LAFCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. He also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on Twitter (and various other social medias) at @WilliamBibbiani.
Experience:
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‘Devotion’ Review: Jonathan Majors Pilots a Drama That’s Searing on Racism But Rah-Rah About War
The planes (and the score) soar in this Korean War picture, but its reason for being is Majors’ performance as a real-life Black flying ace
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‘The Pale Blue Eye’ Review: Murder Mystery Puts Young Edgar Allan Poe on the Case
Harry Melling (as Poe) and Christian Bale lead an impressive ensemble in Scott Cooper’s atmospheric whodunit
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It’s a Horror to Be Nominated: 10 Scary Movies the Oscars Shouldn’t (But Probably Will) Ignore in 2023
From “Nope” to “Pearl” to “Nanny,” here are some genre films that deserve serious consideration
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‘M3GAN’ Review: Brilliantly Crafted Comedy-Horror Delivers a Jolting January Surprise
Don’t judge this smart, provocative chiller by its first-weekend-of-the-year release
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Every Roald Dahl Movie, Ranked From Worst to Best
Where does “Matilda the Musical” rank among his many adaptations and screenplays?
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‘Puss in Boots: The Last Wish’ Review: Mortality Casts a Shadow on Otherwise Amusing Animated Sequel
There are comic moments that land, and action set pieces that pop, but the overwhelming sensation here is a meditation on the inevitability of death
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‘Avatar: The Way of Water’ Review: James Cameron’s Dazzling, Overwhelming Sequel Really Delivers in Hour 3
There’s both too much and not enough going on in this return to Pandora, but the climactic action sequence provides a rewarding payoff
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Every Darren Aronofsky Movie, Ranked From Worst to Best
Where does “The Whale” rank in the filmography of the provocative auteur?
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Every Rian Johnson Movie, Ranked Worst to Best (Photos)
D: Where does “Glass Onion” fit among the filmmaker’s output?
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‘The Menu’ Film Review: Ralph Fiennes Serves Revenge, Cold or Hot, But Always With Style
Less of a horror film than a dark comedy about art, its practitioners and the consumers who may or may not deserve transcendence
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‘Something in the Dirt’ Review: COVID-Shot Mockumentary Plumbs Its Characters’ Existential Grief
This lockdown movie about two losers tracking supernatural phenomena could be tighter, but then it wouldn’t be so pathetic, which is its strongest attribute
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‘Voodoo Macbeth’ Review: Backstage Tale of Early Orson Welles Triumph Speaks to Modern Inclusivity
Modern creators looking to diversify casts and crews could take a page from the legendary 1936 stage production celebrated in this biopic
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All of Dwayne ‘The Rock’ Johnson’s Movies, Ranked From Worst to Best (Photos)
How does Johnson’s role in “Black Adam” stack up?
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‘Halloween Ends’ Review: Michael Myers Saga Concludes, For Now, With a Whimper
Director David Gordon Green offers little more than a padded coda to the tale of Haddonfield, with a sudden focus on a brand-new character
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‘Mr. Harrigan’s Phone’ Review: Stephen King Takes iPhone Addiction to New Levels
Jaeden Martell and Donald Sutherland star in this nifty allegory about how hard it is to put aside convenient habits, even when they’re bad for us
