Tomris Laffly
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‘Occupied City’ Review: Steve McQueen’s Epic Holocaust Documentary Is a Disquieting Cinematic Essay
Cannes 2023: With a four-hour runtime, the filmmaker excavates Amsterdam’s harrowing WWII history via a journey through its present
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‘Hypnotic’ Review: Ben Affleck Neo-Noir Is a Snooze That Draws From ‘The Matrix’ and ‘Inception’
Robert Rodriguez’s crime caper is exhaustingly over-plotted and surprisingly short on fun
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‘Book Club: The Next Chapter’ Review: A Moderately Engaging Sequel That Should Have Been Funnier
Jane Fonda, Diane Keaton, Candice Bergen and Mary Steenburgen are all legends, but this film doesn’t try hard enough to deserve them
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‘Master Gardener’ Review: Paul Schrader Closes the Loop on his Tortured Men Trilogy with a Haunting Film
Joel Edgerton and Sigourney Weaver sprout two studiously unnerving characters in this examination of racism and redemption
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‘Peter Pan & Wendy’ Review: David Lowery’s Reimagining of a Children’s Classic Is Refreshing and Wearisome
Despite lush visuals, Lowery’s film falters with questionable story choices and a gloomy tone.
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‘Polite Society’ Review: Nida Manzoor’s Coming-of-Age Heist Flick Is a Boisterous Celebration of Sisterhood
With superbly choreographed fight sequences, agile camerawork and an unapologetic feminist spirit, this is your next favorite action-comedy
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‘Carmen’ Review: Paul Mescal and Melissa Barrera Exhilaratingly Reimagine a Classic
Benjamin Millepied and Nicholas Britell craft a contemporary tale of freedom and identity
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‘Ghosted’ Review: Ana de Armas and Chris Evans Can’t Save This Ordinary Spy Rom-Com
Dexter Fletcher’s fast-paced flick entertains, but it should be sharper and funnier
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‘Mafia Mamma’ Review: Toni Collette’s Mob Comedy Misfires
Catherine Hardwicke’s film can’t rise above clumsy jokes and cliched characters
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‘Beau Is Afraid’ Review: Ari Aster’s Stunning, Unknowable and Fearless Opus
Joaquin Phoenix delivers one of his best performances as a guilt-ridden man on an epic journey
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‘How to Blow Up a Pipeline’ Review: A Searing Eco-Thriller With Spirit and Ideas
Daniel Goldhaber’s Soderbergh-ian film ignites an urgent sense of activism through a stellar ensemble cast and sophisticated direction.
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‘Paint’ Review: Owen Wilson Channels a Fictional Bob Ross in Timid and Underpowered Comedy
Brit McAdams’ tale falls short of its comedic and dramatic ambitions.
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‘Women Talking’ Review: Sarah Polley’s Searing Drama Contemplates Revenge and Forgiveness
The sexually-abused members of a religious community get to decide what happens next, and the results are riveting
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‘Empire of Light’ Review: Sam Mendes’ Love Letter to Cinema Lacks Focus
This reverie on movie palaces often forgets the part about actually loving film, among many other script issues
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‘Lady Chatterley’s Lover’ Review: Fresh Take on D.H. Lawrence Classic Doesn’t Skimp on Eroticism
Emma Corrin and Jack O’Connell offer scorching sexuality in a film that finds new tones in an oft-adapted story