Todd Gilchrist
-
‘White Boy Rick’ Film Review: Real-Life Drug Saga Bolstered by Strong Performances
Even if Richie Merritt never acts again, he’s made an indelible mark with his naturalist turn as a teenage drug dealer and FBI informant
-
‘Peppermint’ Film Review: Jennifer Garner Vengeance Saga Lacks Snap
“Taken” director Pierre Morel returns with another gloriously dumb (and vaguely racist) parental revenge tale
-
‘Kin’ Film Review: Genre Mashup About an Alien Weapon Shoots Itself in the Foot
This debut feature from Jonathan and Josh Baker wants to launch a franchise, but it can’t even juggle sci-fi with family drama
-
‘Overboard’ Film Review: Flimsy Remake Lacks Buoyancy
This retread, starring Anna Faris and Eugenio Derbez manages some charm, but its take on class and labor packs no punch
-
‘Active Measures’ Film Review: How Putin’s Tactics Stole Russia, and How They’re Corrupting the USA
Hot Docs 2018: Hillary Clinton and other experts detail Putin’s chicanery — and Trump’s refusal to push back against it
-
‘Traffik’ Film Review: Paula Patton Overdoes It in Overwrought Thriller
The scenes run too long, and the characters invariably make ridiculous decisions, but at least Dante Spinotti makes it all look great
-
‘The Miracle Season’ Film Review: Volleyball Drama Serves Few Dramatic Spikes
Even with Oscar winners Helen Hunt and William Hurt in the cast, this faith-based sports docudrama gets caught in a formulaic net
-
‘Unsane’ Film Review: Claire Foy Is or Isn’t Going Mad in Steven Soderbergh’s Thriller
This tense character piece abandons gimmickry to explore the ways in which women’s voices are ignored
-
‘Flower’ Film Review: Talented Cast Set Adrift in Disappointing Teen Satire
Zoey Deutch leads a strong ensemble, but Max Winkler’s dark comedy goes from unfocused to sleazy before a tidy ending
-
‘Peter Rabbit’ Movie Review: Beatrix Potter’s Bunny Reduced to Flopsy Sweat
Annoyingly “hip” and clamoring to please, this shrill kid movie lacks charm and fun
-
‘The Signal’ Review: Fun with Genre, Even When the Director Out-Clevers Himself
William Eubank’s reach exceeds his grasp, but his twisty second feature establishes him as an interesting filmmaker to watch
-
‘Oculus’ Review: Siblings Investigate Things That Go Bump in Their Past
An uneven metaphorical core and a decidedly incomplete mythology prevents “Oculus” from reflecting anything truly haunting
-
‘Cesar Chavez’ Review: Michael Peña Captures the Labor Leader’s Magnetic Intensity
Like its namesake, this portrait of the iconic activist thrives on quiet efficacy rather than conspicuous theatricality
-
‘Enemy’ Review: It’s Jake Gyllenhaal vs. Jake Gyllenhaal for Double the Mystery
Denis Villenueve’s second collaboration with Jake Gyllenhaal feels like a riddle wrapped in an enigma wrapped in an arachnophobe’s worst nightmare
-
‘Kelly & Cal’ Review: New Mom Juliette Lewis Finds an Unlikely Suburban Soulmate
This SXSW premiere stars Lewis and Jonny Weston as two outcasts who find each other in a sweet, sensitive film that doesn’t settle for easy answers