Leah Rozen
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Review: ‘Green Hornet’ Has a Bloated Stinger and No Venom
“The Green Hornet” clocks in at 118 minutes — there is not, I promise you, 118 minutes worth of plot, special effects or comic business in this movie
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Yes, the Silly ‘Season of the Witch’ Has One of Those Nic Cage ‘Moments’
Another forgettable trifle from Cage, who loses it this time at a lecturing priest
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Review: ‘Blue Valentine’ — Poignant Portrayal of the End of Love
Michelle Williams and Ryan Gosling’s compelling performances offer no easy answers in this portrait of a marriage collapsing
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2010: Top 5 Most Influential Movies
Some films linger and some age gracefully but some, like this year’s “Inception” and “The Kids Are Alright” have a reach that last far longer
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‘How Do You Know’: Nutty, and Unappetizing, as a Holiday Fruitcake
Owen Wilson is the only bright moment in this latest disappointment from James L. Brooks
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‘The Fighter’ Review: Knockout With a One-Two Punch
When the final credits roll and you get a glimpse of the real Dicky, you realize just how dead-on Bale’s performance is
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‘Black Swan’ Reviewed: Just a Little Tutu Crazy Ballet Tale
Full of swirling camera movements and carefully thought out symbolism, Aronofsky’s Oscar bait is also luridly lunatic
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Review: ‘King’s Speech’ Another Royal Flush
We may have overthrown the Crown more than two centuries ago, but we still love us some royals on the big screen
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Camp vs. Cheese — Guess Where ‘Burlesque’ Lands
Review: Aguilera strives painfully for sincerity but, other than that giant battleship of a voice, is cutesy bland at best, annoyingly arch at worst
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Review: Why, ‘Harry Potter’ — How You’ve Grown!
Like the series, the stars have reached their majority — and to borrow from the Who, the kids are all right
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‘Unstoppable’: 5th Time’s a Charm for Washington & Scott
Washington imbues the simplest of lines with subtext and sly humor, and he still has a smile that rivals Julia Roberts’ for its ability to light up a screen
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‘Morning Glory’: It’s ‘Diet Broadcast News’
“Glory” seems to endorse what Harrison Ford’s character early on dismisses as “fluffy news”
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‘127 Hours’: ‘Rear Window’ Between a Rock and a Hard Place
How to make the story of a hiker trapped alone in a chasmcinematic — not to mention inspirational, kinetic and moving
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‘Rileys’ Review: See Tony Soprano & Bella Swan Try to Stretch Themselves
“Welcome to the Rileys” is a small pleasure with deft performances by two actors trying something different
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‘Hereafter’: Clint’s 80 — Here’s What He Thinks of the Afterlife
What’s he’s really tackling here is how hard it is to wrap our heads around the finality of death