James Rocchi
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‘Boulevard’ Review: Robin Williams’ Final Dramatic Performance Walks Well-Worn Ground
Even burdened by tragedy, Dito Montiel’s new film gives the late actor an impressive showcase
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‘Terminator Genisys’ Review: Arnold Schwarzenegger’s Swagger Can’t Save This Redundant Tentpole
T-800’s “I’ll be back” promise becomes a curse 31 years later in flimsy fifth film of interminable franchise
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‘Escobar: Paradise Lost’ Review: Benicio Del Toro Shines as Cocaine Kingpin
This narco-drama is full of tension and buoyed by involving performances by Del Toro and Josh Hutcherson
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‘Madame Bovary’ Review: Mia Wasikowska Can’t Save This Shallow Riff on a Classic
Even with the “Alice in Wonderland” actress in the title role, director Sophie Barthes’ adaptation of Gustave Flaubert’s immortal novel falters
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‘Human Centipede III’ Review: More Boring Gore, To Even Less Effect
The third in writer-director Tom Six’s horror series is a tale told by an idiot, full of sound and feces, signifying nothing
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‘The D Train’ Review: Jack Black, James Marsden Steer a Comedy Collision of Reunion and Regret
Black gives a career-highlight performance as an all-too-regular-guy tripped up by fame, fear, bad high school memories and a diabolically charming James Marsden in a strange, sharp comedy
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‘Black Souls’ Review: A Mafia Movie That Isn’t Enthralled With Cold Fury
Solemn, strong Italian film about family, crime and the deep roots of revenge offers widescreen visions and intimate murders, making for a very different Mafia saga
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‘Ride’ Review: Helen Hunt Writes, Directs, Stars and Surfs in Charming Comedy-Drama
Don’t be fooled by the glossy, bourgeois look and feel of the opening moments; Hunt’s second directorial effort is winning, warm, smart and tough
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‘Adult Beginners’ Review: Nick Kroll’s Comedy Is More Minor Splash Than a Cannonball
An indie comedy so generic it might as well come with a plain label and lettering in Comic Sans, “Adult Beginners” is more minor splash than major breakthrough
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‘Child 44’ Review: Tom Hardy’s a Good Soviet Cop in This Dim, Grim Fizzle
With an all-star cast including Hardy, Noomi Rapace, Gary Oldman and many more, “Child 44” turns a best-selling novel into a dreary, droning chore on-screen
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‘The Barber’ Review: Scott Glenn Is Razor-Sharp in Well-Groomed Thriller
With a slow-burn sensibility and the veteran actor used to strong effect, this modest thriller will make the hairs on the back of your neck stand up
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‘Home’ Review: Jim Parsons and Rihanna Team Up for Small Fry Sci-Fi
With space travel, hijinks and bonding between unlikely pals, ‘Home’ boasts a great voice cast
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‘Chappie’ Review: Hugh Jackman and Dev Patel Caught in Robotics vs. Ethics Battle
Neill Blomkamp’s robot is the prize in a tug-of-war between scientists, corporate scions and criminals, but special effects can’t make up for the lack of story and auto-recycling
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‘The Lazarus Effect’ Review: Olivia Wilde, Mark Duplass Learn That Sometimes, Dead is Better
Director David Gelb’s brisk, character-driven horror film delivers superb scares thanks to a great cast, strong script and clever camerawork
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‘Tracers’ Review: Taylor Lautner Stars in a Running-Jumping-Stealing Parkour Thriller
The ‘Twilight’ alum gets physical in a gritty-glossy New York story of crime, star-crossed love and Parkour-style stunts for an agreeably lightweight time-killer thriller