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‘Gunpowder Milkshake’ Film Review: Cool Casting Can’t Save ’90s-Style Thriller
The talents of Angela Bassett and Michelle Yeoh, to name a few, are wasted in a film that’s retro in the worst ways
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‘False Positive’ Film Review: Ilana Glazer Thriller Holds a Scalpel to the Idea of ‘Mommy Brain’
It’s less about the horror and more about the recognizable microaggressions in this smart, sharp shocker
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‘Roadrunner’ Film Review: Anthony Bourdain Gets a Nostalgic Tribute in New Doc
Tribeca 2021: We know where the story is going, but Morgan Neville (“Won’t You Be My Neighbor?”) forges a fascinating path through a one-of-a-kind life
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‘7 Days’ Film Review: Are You Ready for a COVID-19 Rom-Com?
Tribeca 2021: Karan Soni and Geraldine Viswanathan are perfect as a less-than-perfect couple
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‘Infinite’ Film Review: Mark Wahlberg Action-Thriller Overspends and Underwhelms
Cars and planes blow up real good in a film that feels like everybody’s paycheck project
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‘Dream Horse’ Film Review: Toni Collette Inspirational Biopic Is Steady As She Goes
Adaptation of Sundance doc “Dark Horse” doesn’t change the game, but it’s a feel-good watch
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‘The Woman in the Window’ Film Review: Amy Adams Commits to Wannabe-Hitchcock Thriller
Director Joe Wright knows the words to “Rear Window” and “Vertigo,” but not the music
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‘Land’ Film Review: Robin Wright Relies on Nature for Her Subdued Directorial Debut
Sundance 2021: The landscape overpowers the screenplay in this tale of a woman learning to live in the wilderness
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‘The World to Come’ Film Review: 2 Lonely Women Find Romance in Bleak Frontier Drama
The bleakness of frontier life underscores the emotional anguish of a pair of unhappily married couples
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‘You Go to My Head’ Film Review: Visually Sumptuous Import or Feature-Length Perfume Ad?
Writer-director Dimitri de Clercq doesn’t seem to have much to say, but his movie always looks great, at least
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‘Glitch in the Matrix’ Film Review: Trippy Documentary Questions the Nature of Reality
Sundance 2021: Rodney Ascher (“Room 254”) explores people who think they’re living in a simulation
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‘R#J’ Film Review: Shakespeare for Social Media? LOL, OK
Sundance 2021: Carey Williams’ ambitious attempt to adapt star-crossed lovers to Instagram feels awkward and instantly dated
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‘There Is No I in Threesome’ Film Review: Engaged Couple Gets Experimental in Clever Documentary
Sundance 2021: Not everything is as it appears in this doc about two people exploring pre-marriage polyamory
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‘Palmer’ Film Review: Justin Timberlake Brings Heft to Predictable Tale of a Small-Town Nonconformist
Timberlake plays the father-surrogate of a gender-independent child in rural Louisiana, and he makes the most of the role
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‘Possessor’ Film Review: Brandon Cronenberg’s Thriller Emphasizes Body Horror Over Character
Sundance 2020: The filmmaker is more interested in squishy jolts than in character, and he totally wastes the talented Andrea Riseborough
