Carlos Aguilar
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‘Creation Stories’ Film Review: A Muddled Look at Alan McGee’s Mythic Rise to Record Mogul-dom
The founder of the label behind Oasis and Jesus and Mary Chain deserves better than this trippy, messy biopic
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‘Marry Me’ Film Review: Jennifer Lopez Should Have Left This Script at the Altar
This innocuous rom-com highlights some great new songs, but a megastar like Lopez deserves better than this bland concoction
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How Animators Made a Mountain Talk for ‘The Summit of the Gods’
TheWrap magazine: “The higher we go, the less dialogue we have,” says director Patrick Imbert of his mountaineering tale
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‘Belle’ Film Review: Mamoru Hosoda Explores Virtual Lives With Genuine, Powerful Humanity
The “Mirai” director examines the pitfalls of life online but also imagines how users might imbue their avatars with the best parts of themselves
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3 Actors From International Films Who Deserve Some Oscar Love
For your consideration, the stars of “The Worst Person in the World,” “Drive My Car” and “A Hero”
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‘Sing 2’ Film Review: Animated Sequel Feels Even More Oppressively Soulless
Follow-up to the box-office hit looks to make more money with its lazy barrage of recent-vintage pop tunes
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‘A Journal for Jordan’ Film Review: Denzel Washington Misfires With True-Life Inspirational Tale
The talented Michael B. Jordan and Chanté Adams are saddled with a heavy-handed melodrama
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Oscars International Race: 3 Revealing Latin American Films por Tu Consideración
Awards Wrap-Up: TheWrap film critic Carlos Aguilar on how submissions from Brazil, Costa Rica and Panama document a region in the midst of change
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‘Flee’ Film Review: Afghan Refugee Shares His Journey in Empathetic Animated Doc
Sundance 2021: This Grand Jury Prize winner uses animation to tell a story haunted by memory in a way live-action never could
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‘Home’ Film Review: Franka Potente’s Directorial Debut Follows an Ex-Con’s Journey
Engaging performances by Jake McLaughlin and Kathy Bates make up for some script shortcomings
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‘The Power of the Dog’ Film Review: Jane Campion Western Explores Cowboy Masculinity as Camouflage
Benedict Cumberbatch gives perhaps his best performance to date, as part of a powerhouse ensemble that includes Kirsten Dunst and Jesse Plemons
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‘The Summit of the Gods’ Film Review: Breathtaking Mountain-Climbing Story Captured as Only Animation Can
Patrick Imbert’s solo directorial debut is a tribute to the obsessive devotion that drives people to conquer the insurmountable
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‘Encanto’ Film Review: Disney Goes to Colombia for a Moving but Overstuffed Family Comedy-Adventure
Lin-Manuel Miranda’s songs and a living, breathing house steal the show in a charmer that might have benefited from some streamlining
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‘C’mon C’mon’ Film Review: Joaquin Phoenix Explores His Paternal Side in Humane Mike Mills Dramedy
Phoenix, Gaby Hoffman, and young Woody Norman build familial bonds as the film explores the hopes of the young for life on this planet
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‘Zeros and Ones’ Film Review: Ethan Hawke’s Mission Is Murky in More Ways Than One
Director Abel Ferrara raises more questions than he answers, but the pursuit of the truth (for the protagonist and for the audience) proves compelling enough