In an open letter Wednesday night, Hollywood heavyweights including Quentin Tarantino, Spike Lee, Damien Chazelle and Ang Lee condemned the Academy’s plan to exclude four key categories from the 2019 Oscars’ live broadcast.
“Relegating these essential cinematic crafts to lesser status in this 91st Academy Awards ceremony is nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession,” the letter says.
“We consider this abbreviation and potential censorship to run contrary to the spirit of the Academy’s mission,” the letter continues.
Shortly after the letter was published, the Academy issued a statement defending the decision. Read it here.
On Monday, the Academy announced that in an effort to trim the length of the 2019 Oscars broadcast, the Best Cinematography, Best Film Editing, Best Live-Action Short Film and Best Makeup and Hairstyling categories will be presented during commercial breaks. The Academy said the awards will be inserted back into the show later in “slightly edited” form, though the original presentations will be streamed live on Oscar.com and on Academy social channels.
The decision was harshly criticized across the film industry. “We cannot quietly condone this decision without protest,” ASC president Kees van Oostrum says in a statement Tuesday.
“The Academy displayed a complete absence of the kind of creativity their awards celebrate,” IATSE president Matthew Loeb said in a statement earlier Wednesday.
Those sentiments were echoed in the open letter.
“The Academy was founded in 1927 to recognize and uphold excellence in the cinematic arts, inspire imagination and help connect the world through the universal medium of motion pictures,” it reads. “Unfortunately, we have drifted from this mission in our pursuit of presenting entertainment rather than in presenting a celebration of our art form and the people behind it.”
The letter continued: “When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form.”
The Hollywood Reporter first published the letter.
Read the full letter below:
“An Open Letter to The Academy of Motion Picture Arts & Sciences and The Producers of the 91st Annual Academy Awards Broadcast:
On Monday, February 11, 2019, John Bailey, President of the Academy of Motion Picture Arts & Sciences, announced that this year’s Oscar presentations for Best Cinematography — along with Film Editing, Live Action Short and Makeup and Hairstyling — will not be broadcast live, but rather presented during a commercial break. This decision was made to reduce the length of the show from four hours to three. The vocal response from our peers and the immediate backlash from industry leaders over the Academy’s decision makes it clear that it’s not too late to have this decision reversed.
The Academy was founded in 1927 to recognize and uphold excellence in the cinematic arts, inspire imagination and help connect the world through the universal medium of motion pictures.
Unfortunately, we have drifted from this mission in our pursuit of presenting entertainment rather than in presenting a celebration of our art form and the people behind it.
Relegating these essential cinematic crafts to lesser status in this 91stAcademy Awards ceremony is nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession.
The show’s director, Glenn Weiss, has stated that he will determine what “emotionally resonant” moments from the four winners’ speeches will be selected to air later in the broadcast. The show will cut any additional comment from presenters, as well as any recitation of the nominees as they see fit.
We consider this abbreviation and potential censorship to run contrary to the spirit of the Academy’s mission.
Since its inception, the Academy Awards telecast has been altered over time to keep the format fresh, but never by sacrificing the integrity of the Academy’s original mission.
When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form.
To quote our colleague Seth Rogan, “What better way to celebrate achievements in film than to NOT publicly honor the people whose job it is to literally film things.”
Signed,
Cinematographers
Dion Beebe
Bill Bennett
Roger Deakins
Peter Deming
Caleb Deschanel
Robert Elswit
Mauro Fiore
Greig Fraser
Janusz Kaminski
Ellen Kuras
Ed Lachman
Robert Legato
Emmanuel Lubezki
Anthony Dod Mantle
Seamus McGarvey
Chris Menges
Dan Mindel
Reed Morano
Rachel Morrison
Guillermo Navarro
Phedon Papamichael
Wally Pfister
Rodrigo Prieto
Robert Primes
Robert Richardson
Linus Sandgren
John Seale
Newton Thomas Sigel
Vittorio Storaro
John Toll
Hoyte van Hoytema
Kees van Oostrum
Roy Wagner
Directors
Damien Chazelle
Cary Joji Fukunaga
Spike Jonze
Ang Lee
Spike Lee
Dee Rees
Seth Rogan
Martin Scorsese
Quentin Tarantino
Filmmakers
Kym Barrett
Judy Becker
Alan Edward Bell
Erin Benach
Avril Beukes
Consolata Boyle
Maryann Brandon
Alexandra Byrne
Milena Canonero
Chris Corbould
Hank Corwin
Tom Cross
Nathan Crowley
Sophie De Rakoff
Chris Dickens
Bob Ducsay
Lou Eyrich
Dante Ferretti
Paul Franklin
Dana Glauberman
William Goldenberg
Affonso Goncalves
Adam Gough
Jon Gregory
Dorian Harris
Joanna Johnston
Paul Lambert
Mary Jo Markey
Joi McMillon
Ellen Mirojnick
Stephen Mirrione
Bob Murawski
John Ottman
Sandy Powell
Fred Raskin
Tatiana S. Riegel
Elísabet Ronaldsdóttir
Mayes Rubeo
Nat Sanders
J.D. Schwalm
Anna B. Sheppard
Terilyn A. Shropshire
Joan Sobel
Michael Tronick
Mark Ulano
Martin Walsh
David Wasco
Billy Weber
Julie Weiss
Michael Wilkinson
Hughes Winborne
Janty Yates